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Vater, wir flehen dich

Author: H. Grunholzer Appears in 2 hymnals

[Vater, wir flehen dich]

Appears in 306 hymnals Composer and/or Arranger: Alexis Luoff Incipit: 56653 11765 64553 Used With Text: Vater, wir flehen dich

Instances

Published text-tune combinations (hymns) from specific hymnals

Vater, wir flehen dich

Author: H. Grunholzer Hymnal: Frohe Lieder und Brüder-Harfe #191 (1898) Languages: German Tune Title: [Vater, wir flehen dich]

Vater, wir flehen dich

Author: H. Grunholzer Hymnal: Jugendharfe #A14 (1894) Languages: German Tune Title: [Vater, wir flehen dich]

1798 - 1870 Person Name: Alexis Luoff Composer of "[Vater, wir flehen dich]" in Frohe Lieder und Brüder-Harfe Alexis Federovich L’vov Estonia 1798-1870. Born at Reval, Estonia, son of the St. Petersburg imperial court chapel director, he learned violin as a child and gave regular concerts in his home at age 9. Studying under a number of teachers until age 19, he then studied independently and developed his own personal style of playing. He entered the Russian army in 1818, became a civil engineer there eventually a General in 1828, when he was appointed Aide-de-camp to Tsar Nicholas I. He married Praskovya Aggeyevna, and they had a son and two daughters. He eventually took over his father’s post after he died in 1837 and stayed at that position for 24 years. He formed a string quartet in St. Petersburg and held weekly concerts at his private residence, which were attended by members of high society, including Franz Liszt, Robert and Clara Schumann, and Berlioz. In charge of the Russian chapel choir, it was described by Berlioz as of exceptional quality, expressing regret that Europeans were unable to hear the extraordinary sounds of the chapel choir (80 singers). L’vov took his quartet on several European tours where he could play to public audiences. He met Mendelssohn, Meyerbeer, and Spontini, who became personal friends. L’vov codified the Russian liturgical musical style ‘Obikhod’, the standard repertory of most Russian Orthodox churches in the world. L’vov was a member of the Russian musical establishment. Two of his friends who attained musical fame were Glinka and Berlioz, both impressed with L’vov’s superb violin playing and composing abilities. He composed violin music, operas and various religious pieces. His opera “Undine” (1846) became famous. In 1850 he founded the Russian Concert Society. His musical style was eclectic, combining traditions of Russian culture with Italian and German influences. He retired in 1867 due to deafness. He died near Kovno, Lithuania. John Perry