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Poder Pentecostal
Author: H. C. Ball Appears in 4 hymnals First Line: Unánimes junto a la cruz Refrain First Line: Sí, manda otra lluvia Scripture: Acts 19:1-8 Used With Tune: [Unánimes junto a la cruz]
Poder Pentecostal
[Unánimes junto a la cruz]
Appears in 72 hymnals Composer and/or Arranger: Chas. H. Gabriel Tune Key: A Flat Major Incipit: 32112 17754 44433 Used With Text: Poder Pentecostal
[Unánimes junto a la cruz]
Poder Pentecostal
Author: H. C. Ball Hymnal: Himnos de Gloria #102 (1949) First Line: Unánimes junto a la cruz Refrain First Line: Sí, manda otra lluvia Scripture: Acts 19:1-8 Languages: Spanish Tune Title: [Unánimes junto a la cruz]
Poder Pentecostal
Poder Pentecostal
Author: H. C. Ball Hymnal: Himnos de Gloria #102 (1970) First Line: Unánimes junto a la cruz Refrain First Line: Sí, manda otra lluvia Scripture: Acts 19:1-8 Languages: Spanish Tune Title: [Unánimes junto a la cruz]
Poder Pentecostal
Poder Pentecostal
Author: H. C. Ball Hymnal: Himnos de Gloria #102 (1921) First Line: Unánimes junto a la cruz Refrain First Line: Sí, manda otra lluvia Scripture: Acts 19:1-8 Languages: Spanish Tune Title: [Unánimes junto a la cruz]
Poder Pentecostal
Chas. H. Gabriel
1856 - 1932 Composer of "[Unánimes junto a la cruz]" in Himnos de Gloria Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
