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Text Identifier:"^traveler_haste_the_night_comes_on$"

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BERA

Appears in 191 hymnals Composer and/or Arranger: John E. Gould Tune Key: E Flat Major Incipit: 33215 52343 11653 Used With Text: Haste, traveler, haste! the night comes on
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ZEPHYR

Appears in 225 hymnals Composer and/or Arranger: Wm. B. Bradbury Incipit: 55561 65324 32354 Used With Text: The Day of Grace
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FEDERAL STREET

Appears in 662 hymnals Composer and/or Arranger: Henry K. Oliver Incipit: 33343 55434 44334 Used With Text: Haste, traveler, haste! the night comes on

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Haste, Traveler! Haste

Author: Wm. B. Collyer Hymnal: Glorious Things in Sacred Song #31 (1886) First Line: Haste, trav'ler, haste! the night comes on Refrain First Line: The night is coming on Languages: English Tune Title: [Haste, trav'ler, haste! the night comes on]
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Haste, traveler, haste! the night comes on

Author: William B. Collyer Hymnal: The Seventh-Day Adventist Hymn and Tune Book #394 (1886) Lyrics: 1 Haste, traveler, haste! the night come son, And many a shining hour is gone; The storm is gathering in the west, And thou art far from home and rest. 2 Then linger not in all the plain, Flee for thy life, the mountain gain; Look not behind, make no delay, O speed thee, speed thee on thy way. Topics: The Sinner Warning and Invitation Tune Title: BERA
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Haste, Traveler, Haste!

Author: William B. Collyer Hymnal: The Cyber Hymnal #2636 Meter: 8.8.8.8 First Line: Haste, traveler, haste! the night comes on Lyrics: 1. Haste, traveler, haste! the night comes on, And many a shining hour is gone; The storm is gathering in the west, And thou art from home and rest. 2. O far from home thy footsteps stray; Christ is the life, and Christ the way, And Christ the light; thy setting sun Sinks ere thy morning is begun. 3. Awake, awake! pursue thy way With steady course, while yet ’tis day; While thou art sleeping on the ground, Danger and darkness gather round. 4. The rising tempest sweeps the sky; The rains descend, the winds are high; The waters swell, and death and fear Beset thy path, nor refuge near. 5. O yes! a shelter you may gain, A covert from the wind and the rain, A hiding-place a rest, a home, A refuge from the wrath to come. 6. Then linger not in all the plain, Flee for thy life, the mountain gain; Look not behind, make no delay, O speed thee, speed thee on thy way! 7. Poor, lost, benighted soul! art thou Wiling to find salvation now? There yet is hope; hear mercy’s call: Truth! Life! Light! Way! in Christ is all! Languages: English Tune Title: CLOLATA

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William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "ZEPHYR" in The Greatest Hymns William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

William Bengo Collyer

1782 - 1854 Person Name: William B. Collyer Author of "Haste, traveler, haste! the night comes on" in The Seventh-Day Adventist Hymn and Tune Book William Bengo Collyer was born at Blackheath Hill, in 1782, and studied at Homerton College. Before completing his twentieth year he became pastor of a Congregational society at Peckham, continuing in that position through his life. He died in 1854. He received the degree of D.D. from the University of Edinburgh in 1808. For many years he was one of the most popular Dissenting ministers in London. He published many hymns and some works on theology. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. =================== Collyer, William Bengo, D.D., born at Blackheath, April 14, 1782, educated at Homerton College, where, when 16 years old, he was enrolled as a student for the ministry. At 20 he began his ministry at Peckham on Dec. 17, 1801 ordained pastor of a small church consisting of ten communicants. From 1814 to 1826 he was also pastor of a Church meeting in Salters' Hall. On June 17, 1817, a new chapel was opened for him at Peckham. There, from the time of his settlement in 1801, he laboured with great success and honour until Dec. 11, 1853, on which clay he preached for the last time. He died Jan. 8, 1854. Dr. Collyer was eminent in his day as an eloquent Evangelical preacher, when formalism in worship, and Arianism in doctrine, prevailed. He was a man of amiable disposition, polished manners, and Christian courtesy; popular with rich and poor alike. He was the author of a series of lectures on Divine Revelation, in seven volumes: Scripture Facts, Prophecies, Miracles, Parables, Doctrines, Duties, Comparisons. Dr. Collyer compiled a hymn-book with the title, Hymns partly collected and partly original, designed as a supplement to Dr. Watts's Psalms and Hymns, 1812. It was intended at first for the use of his own congregation only, and was to include many hymns composed by himself, to be sung after sermons which he had preached to them, but he was led to alter the plan. It comprises 979 hymns, 6 choruses, and 4 doxologics, arranged in groups according to their authors, and not subjects. Of this number 57 were written by Dr. Collyer, and are for the most part short descriptive or didactic poems, religious or moral essays in verse, and not hymns addressed to the Creator and Redeemer. Some of them are devoid of Christian truth, and are poems of nature or of sentiment. Some of them were written during the hard and sorrowful times of the wars of Bonaparte, and relate to famine and national calamity. Several were prepared for the public meetings of missionary and benevolent societies, which had their origin in his time. He also published Services suited to the Solemnization of Matrimony, Baptism, &c, 1837, which contained 89 of his hymns, &c.; Hymns for Israel, a Tribute of Love for God's Ancient People, 1848 (41 hymns). In Dr. Leifchild's Original Hymns, 1843, there are also 39 of his compositions. Many of his pieces appeared in the Evangelical Magazine, and were also appended to his numerous published Sermons. A few of his hymns are still in common use, including. "Another fleeting day is gone"; "Assembled at Thy great command"; "O Jesu, in this solemn hour"; "O Thou, the helpless orphan's hope"; "Return, O wanderer, return," and the fine cento, "Great God, what do I see and hear." [Rev. F. J. Faulding, D.D.] --John Julian, Dictionary of Hymnology (1907) ====================== Collyer, William Bengo, p. 243, ii. The following hymns by Dr. Collyer are also in common use:— 1. Another fleeting day is gone. Evening. (1812.) 2. 0 Jesus, in this solemn hour. Reception of Church Officers. (1842.) 3. O Thou, the helpless orphan's hope. On Behalf of Orphans. In the Evangelical Magazine, 1808, p. 48. 4. See the clouds upon the mountain. Sunday Morning. (1842.) 5. Soft be the gently breathing notes. Praise to the Redeemer. (1812.) 6. Softly the shade of evening falls. Evening. (1812.) From this, “Soon shall a darker night descend" is taken. 7. Thou Prince of glory slain for me. Good Friday. (1812.) The date 1812 is that of his Collection, and 1842 of Leifchild's Original Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John E. Gould

1821 - 1875 Composer of "BERA" in The Seventh-Day Adventist Hymn and Tune Book John Edgar Gould USA 1821-1875. Born in Bangor, ME, he became a musician. He managed music stores in New York City and Philadelphia, PA., the latter with composer partner, William Fischer. He married Josephine Louisa Barrows, and they had seven children: Blanche, Marie, Ida, John, Josephine, Josephine, and Augusta. He compiled eight religious songbooks from 1846 thru 1869. He died while traveling in Algiers, Africa, and was buried in Philadelphia, PA. John Perry
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