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Text Identifier:"^to_him_from_whom_our_blessings_flow$"✖

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To Him from whom our blessings flow

Author: Anon. Appears in 26 hymnals Used With Tune: MANOAH
To Him from whom our blessings flow

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ST. MARK

Appears in 40 hymnals Composer and/or Arranger: Gauntlett Incipit: 35554 44333 3322 Used With Text: To Him from whom our blessings flow
ST. MARK
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MANOAH

Appears in 678 hymnals Composer and/or Arranger: Rossini Incipit: 12321 77662 34321 Used With Text: To Him from whom our blessings flow
MANOAH
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[To Him from whom our blessings flow]

Appears in 6 hymnals Composer and/or Arranger: Sullivan Incipit: 51133 54321 22212 Used With Text: To Him from whom our blessings flow
[To Him from whom our blessings flow]

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Instances

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To Him from whom our blessings flow

Author: Anon. Hymnal: Good-Will Songs #248 (1890) Languages: English Tune Title: [To Him from whom our blessings flow]
To Him from whom our blessings flow
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To him from whom our blessings flow

Hymnal: Psalms, Hymns and Spiritual Songs, Original and Selected. (7th ed.) #S409 (1865)
To him from whom our blessings flow
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To Him from whom our blessings flow

Hymnal: The Morning Hour #16 (1896) Languages: English Tune Title: ST. MARK
To Him from whom our blessings flow

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People

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Anonymous

Person Name: Anon. Author of "To Him from whom our blessings flow" in School and College Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous

Henry J. Gauntlett

1805 - 1876 Person Name: Gauntlett Composer of "ST. MARK" in The Morning Hour Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman
Henry J. Gauntlett

Arthur Sullivan

1842 - 1900 Person Name: Sullivan Composer of "[To Him from whom our blessings flow]" in Good-Will Songs Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
Arthur Sullivan

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