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Text Identifier:"^thou_who_wast_rich_beyond_all_splendor$"

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Thou Who Wast Rich beyond All Splendor

Author: Frank Houghton Meter: 9.8.9.8.9.8 Appears in 15 hymnals

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QUELLE EST CETTE ODEUR AGRÉABLE

Meter: 9.8.9.8.9.8 Appears in 25 hymnals Composer and/or Arranger: Charles H. Kitson Tune Sources: French carol melody Tune Key: D Major Incipit: 33215 15634 51235 Used With Text: Thou Who Wast Rich beyond All Splendor

BERGERS

Meter: 9.8.9.8.9.8 Appears in 1 hymnal Composer and/or Arranger: M. E. F. Shaw (1875-1958) Tune Sources: French traditional carol Tune Key: D Major Used With Text: Lord, you were rich beyond all splendour

Instances

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Published text-tune combinations (hymns) from specific hymnals

Thou Who Wast Rich beyond All Splendor

Author: Frank Houghton, 1894-1972 Hymnal: Trinity Hymnal (Rev. ed.) #230 (1990) Meter: 9.8.9.8.9.8 Scripture: Acts 2:23 Languages: English Tune Title: QUELLE EST CETTE ODEUR AGREABLE

Thou Who Wast Rich beyond All Splendor

Author: Frank Houghton, 1894-1972 Hymnal: Trinity Psalter Hymnal #324 (2018) Meter: 9.8.9.8.9.8 Topics: Christ Birth of; Christ Humiliation of; Incarnation; Poor Scripture: 2 Corinthians 8:9 Languages: English Tune Title: QUELLE EST CETTE ODEUR AGRÉABLE

Thou who wast rich beyond all splendor

Hymnal: Sing Glory #356 (1999) Meter: 9.8.9.8.9.8

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Authors, composers, editors, etc.

Frank Houghton

1894 - 1972 Person Name: Frank Houghton, 1894-1972 Author of "Thou Who Wast Rich beyond All Splendor" in Trinity Hymnal (Rev. ed.) Born: April 24, 1894, Stafford, Staffordshire, England. Died: January 25, 1972, Cornford House, Tunbridge Wells, Kent, England. Buried: Tunbridge Wells, Kent, England. Son of Thomas Houghton, Curate of Stafford, Frank attended the University of London (BA 1913) London College of Divinity (now St. John’s College, Nottingham, graduated 1914). He was ordained a deacon in 1917, and priest the next year. He served as Curate of St. Benedict’s, Liverpool (1917-9); All Saints, Preston (1919-20). Inspired by missionary Hudson Taylor’s example, he joined the China Inland Mission, serving at Liangshan (1920-21) and Suiting (1921-24 ). In 1923, he married Dorothy Cassels, daughter of Bishop Cassels of West China. In 1924, he became principal of the Theological College in Paoning, Sichuan. He returned to England for medical reasons in 1928, expecting to stay only a short time, but he stayed to edit China’s Millions. He also served as Examining Chaplain to the Bishop of West China (1928-36). He went on to serve as Consecrated Bishop of East Szechwan at Nanchung (1934-40); General Director of the China Inland Mission (1940-51); Vicar of New Milverton, Leamington Spa (1953-60); and Rector of St. Peter, Drayton, Oxford (1960-63). Houghton retired in 1963, and he and his wife lived in Parkstone, Poole. © The Cyber Hymnal™ (www.hymntime.com/tch)

Charles Herbert Kitson

1874 - 1944 Arranger of "QUELLE EST CETTE ODEUR AGREABLE" in Trinity Hymnal (Rev. ed.)

Martin Shaw

1875 - 1958 Person Name: Martin Fallas Shaw, 1875-1958 Arranger of "FRAGRANCE (QUÉLLE EST CETTE ODEUR AGREABLE)" in Lift Up Your Hearts Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman
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