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The LORD in Your Distress Attend
Meter: 8.8.8.8 Appears in 2 hymnals Scripture: Psalm 20 Used With Tune: LEIGHTON Text Sources: Trinity Psalter, 2000, alt.
The LORD in Your Distress Attend
TALLIS' CANON
Meter: 8.8.8.8 Appears in 504 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: G Major or modal Incipit: 11711 22343 14433 Used With Text: The LORD in Your Distress Attend
TALLIS' CANON
The LORD in Your Distress Attend
Hymnal: Trinity Psalter Hymnal #20A (2018) Meter: 8.8.8.8 Scripture: Psalm 20 Languages: English Tune Title: LEIGHTON
The LORD in Your Distress Attend
The LORD in Your Distress Attend
Hymnal: Trinity Psalter Hymnal #20B (2018) Meter: 8.8.8.8 Topics: Confidence Scripture: Psalm 20 Languages: English Tune Title: TALLIS' CANON
The LORD in Your Distress Attend
Thomas Tallis
1505 - 1585 Composer of "TALLIS' CANON" in Trinity Psalter Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
William Leighton
1565 - 1622 Composer of "LEIGHTON" in Trinity Psalter Hymnal Sir William Leighton (/ˈleɪtən/; c. 1565–1622) was an Elizabethan composer and editor who published The Teares and Lamentatacions of a Sorrowfull Soule (1614) which comprised 55 pieces by 21 composers (among them John Bull, William Byrd, John Dowland and Martin Peerson), including eight by himself. There is a modern edition published by Stainer and Bell and a modern facsimile. Several radio broadcasts have been made but no commercial recording has been carried out yet.
The book is historically important because it has parts for an instrumental accompaniment of broken consort and introduces the term "consort song".
--en.wikipedia.org/wiki/William_Leighton
William Leighton
