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Stay with Me

Author: Communaute de Taizé Appears in 18 hymnals First Line: Stay with me, remain here with me

STAY WITH ME

Meter: Irregular with refrain Appears in 23 hymnals Composer and/or Arranger: Jacques Berthier Tune Key: d minor Incipit: 33223 332 Used With Text: Stay with Me

Instances

Published text-tune combinations (hymns) from specific hymnals

Stay with me, remain here with me

Hymnal: Ancient and Modern #172 (2013) First Line: Stay here and keep watch with me Topics: Church Year Maundy Thursday; God Will of; Maundy Thursday; Prayer; Sorrow; Temptation; Short Chants Scripture: Matthew 26:36-42 Languages: English Tune Title: [Stay with me, remain here with me]

Stay with me, remain here with me

Hymnal: Voices United #950 (1996) Lyrics: Stay with me, remain here with me, watch and pray, watch and pray. Tune Title: [Stay with me, remain here with me]

Stay with Me (Velaré contigo)

Author: Taizé Community Hymnal: Santo, Santo, Santo #157 (2019) First Line: Stay with me, remain here with me (Velaré contigo) (Bleibet hier und wachet mit mir) Topics: Año Cristiano Jueves Santo; Christian Year Maundy Thursday; Gethsemane; Getsemaní; Pecado; Sin Scripture: Matthew 26:36-38 Languages: English; German; Spanish Tune Title: [Stay with me, remain here with me]

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People

Authors, composers, editors, etc.

Communauté de Taizé

Person Name: Taizé Community Paraphraser of "Stay with Me" in Worship and Rejoice

Jacques Berthier

1923 - 1994 Person Name: Jacques Bertheir Author of "Stay with Me" in The Faith We Sing Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman