Search Results

Text Identifier:"^souls_of_men_why_will_ye_scatter$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Souls of men, why will ye scatter

Author: F. W. Faber Appears in 135 hymnals Used With Tune: BETHANY (SMART)

Tunes

tune icon
Tune authorities
Audio

CROSS OF JESUS

Meter: 8.7.8.7 Appears in 131 hymnals Composer and/or Arranger: J. Stainer (1840-1901) Tune Key: G Major Incipit: 31555 11713 67143 Used With Text: Restless souls, why do you scatter
Audio

ST. SYLVESTER

Meter: 8.7.8.7 Appears in 243 hymnals Composer and/or Arranger: Rev. J. B. Dykes Tune Key: F Major Incipit: 33332 34533 33332 Used With Text: Souls of men, why will ye scatter
Page scansAudio

[Souls of men, why will ye scatter]

Appears in 62 hymnals Composer and/or Arranger: Wm. B. Bradbury Incipit: 51172 46551 75671 Used With Text: Souls of Men, Why Will Ye Scatter?

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scanAudio

Souls of men, why will ye scatter?

Author: Rev. Dr. F. W. Faber Hymnal: Hymns of Consecration and Faith #514 (1902) First Line: Souls of men, why will ye scatter Languages: English Tune Title: [Souls of men, why will ye scatter]
Page scanAudio

Souls of Men, Why Will Ye Scatter?

Author: F. W. Faber Hymnal: Gospel Hymns No. 5 #70 (1887) First Line: Souls of men, why will ye scatter Scripture: Isaiah 53:6 Languages: English Tune Title: [Souls of men, why will ye scatter]
Page scan

Souls of Men, Why Will Ye Scatter?

Author: F. W. Faber Hymnal: Gospel Hymns Nos. 1 to 6 #336 (1894) First Line: Souls of men, why will ye scatter Languages: English Tune Title: [Souls of men, why will ye scatter]

People

person icon
Authors, composers, editors, etc.

Charles C. Converse

1832 - 1918 Composer of "CONVERSE" in Hymns of the Kingdom of God Pseudonyms: Clare, Lester Vesé, Nevers, Karl Re­den, Revons ================================= Charles Crozat Converse LLD USA 1832-1918. Born in Warren, MA, he went to Leipzig, Germany to study law and philosophy, as well as music theory and composition under Moritz Hauptmann, Friedrich Richter, and Louis Plaidy at the Leipzig Conservatory. He also met Franz Liszt and Louis Spohr. He became an author, composer, arranger and editor. He returned to the states in 1859 and graduated from the Albany, NY, Law School two years later. He married Lida Lewis. From 1875 he practiced law in Erie, PA, and also was put in charge of the Burdetta Organ Company. He composed hymn tunes and other works. He was offered a DM degree for his Psalm 126 cantata, but he declined the offer. In 1895 Rutherford College honored him with a LLD degree. He spent his last years in Highwood, NJ, where he died. He published “New method for the guitar”, “Musical bouquet”, “The 126th Psalm”, “Sweet singer”, “Church singer”, “Sayings of Sages” between 1855 and 1863. he also wrote the “Turkish battle polka” and “Rock beside the sea” ballad, and “The anthem book of the Episcopal Methodist Church”. John Perry

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "[Souls of men, why will ye scatter]" in Gospel Hymns No. 5 William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: Rev. J. B. Dykes Composer of "ST. SYLVESTER" in The Book of Common Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.