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Text Identifier:"^seele_was_ermuedst_du_dich$"

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Seele, was emüd'st du dich

Author: J. G. Wolf Appears in 69 hymnals Used With Tune: [Seele, was emüd'st du dich]

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[Seele, was ermüd'st du dich]

Appears in 1,109 hymnals Composer and/or Arranger: P. Ritter Incipit: 11117 12321 3333 Used With Text: Seele, was ermüd'st du dich
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[Seele, was ermüdest du dich]

Appears in 192 hymnals Composer and/or Arranger: Johann Crüger Incipit: 54367 11767 15434 Used With Text: Seele, was ermüdest du dich
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[Seele, was ermüd'st du dich]

Appears in 1 hymnal Incipit: 34224 54332 14324 Used With Text: Seele, was ermüd'st du dich

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Seele, was ermuedst du dich

Author: Jacob Gabriel Wolff Hymnal: Das kleine Davidische Psalterspiel der Kinder Zions #a412 (1764) Languages: German
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Seele, was ermuedst du dich

Author: Jacob Gabriel Wolff Hymnal: Das kleine Davidische Psalterspiel der Kinder Zions #a412 (1777) Languages: German
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Seele, was ermuedst du dich

Author: Jacob Gabriel Wolff Hymnal: Das kleine Davidische Psalterspiel der Kinder Zions #aa412 (1781) Languages: German

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Joseph Haydn

1732 - 1809 Person Name: F. Haydn Composer of "[Seele, was emüd'st du dich]" in Gesangbuch der Evangelischen Gemeinschaft Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Johann Crüger

1598 - 1662 Composer of "[Seele, was ermüdest du dich]" in Evangelisches Gesangbuch mit vierstimmigen Melodien Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accom­paniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Jacob Gabriel Wolf

1682 - 1754 Person Name: Dr. Jac. G. Wolf Author of "Seele, was ermüd'st du dich" in Gesangbuch mit Noten Wolff, Jakob Gabriel, LL.D., son of Jakob Wolff, sometime conrector at Greifswald, was born at Greifswald in 1684. He matriculated, in 1702, at the University of Greifswald, as a student of law. In 1705 went to Halle, where he graduated LL.D. In 1716 he was appointed extraordinary, and in 1724, ordinary professor of law at Halle, and afterwards received the title of Hofrath. He resigned his professorship in 1744, and died at Halle, Aug. 6, 1754 (Koch, iv. 375; Bode, p. 174; the Grischow-Kirchner Kurzgefasste Nachrichte, Halle, 1771, p. 54, &c). Wolff's hymns were mostly written early in life, principally during his student years at Halle. He was in thorough sympathy with the characteristic teachings of the Halle Pietists, and his hymns share in their excellences and defects. Some of them ate of considerable merit, elegant in style, earnest and glowing in devotion, and have attained considerable popularity in Germany. Nineteen were contributed to Freylinghausen's Neues geistreiches Gesang-Buch, 1714; and these, with nine others, were included in his autograph manuscript (see No. iv. below). Those of Wolff’s hymns which have passed into English are:— i. Es ist gewiss ein köstlich Ding. Patience. First published 1714 as above, No. 481, in 6 stanzas of 7 lines. In the Hannover Gesang-Buch, 1740, No. 653, with a new stanza as stanza vii. Translated as "It is, indeed, a precious thing," by Miss Manington, 1863, p. 59. ii. 0 wie selig ist die Seel. Love to Christ. First published 1714 as above, No. 418, in 12 stanzas of 4 lines. In the Berlin Geistliche Lieder, ed. 1863, No. 1257. The translations are: (1) "O how happy is the soul." As No. 688 in pt. i. of the Moravian Hymn Book, 1754. (2) "O those souls are highly blest." As No. 294 in the Moravian Hymn Book, 1789. In the 1801 and later eds. (1886, No. 390) it begins "Blest are they, supremely blest". iii. Seele, was ermüdst du dich. Heavenly Mindedness. First published 1714 as above, No. 401, in 12 stanzas of 6 lines, 1l. 5, 6 of each stanza being the popular refrain, "Suche Jesum und sein Licht; Alles andre hilft dir nicht." In the Unverfälschter Liedersegen, 1851, No 338. Translated as "0 soul, why dost thou weary," by Miss Warner, 1869, p. 14. iv. Wohl dem der sich mit Fleiss bemühet. Christian Warfare. On True and False Christianity. This hymn is ascribed to Wolff, by Count Christian Ernst of Stolberg Wernigerode (d. 1771), and by Koch, iv., 570. In the Nachrich as above, p. 54, it is given under Wolff’s name; but Kirchner adds that it was not to be found in the autograph manuscript of Wolff’s hymns which he had bought at Wolff’s sale in 1755. It appears in the Berlin Gesang-Buch, 1711, No. 825, in 11 stanzas of 6 lines, and was repeated (reading " mit Ernst") as No. 235 in Freylinghausen, 1714 as above. In the Berlin Geistliche Lieder, ed. 1863, No. 646. The translation in common use is: "0 well for him who all things braves." This is a good and full translation by Miss Winkworth, in her Lyra Germanica, 1st Ser. 1855, p. 167. Her stanza ii.-iv., x., xi., beginning, “Who follows Christ, whate'er betide," are included in the Rugby School Hymn Book, 1876, No. 309. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)
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