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Text Identifier:"^savior_through_the_desert_lead_us$"

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Savior, thro' the desert lead us

Author: Thomas Kelly Appears in 15 hymnals Used With Tune: SHEPHERD

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BENEDICTION

Appears in 250 hymnals Composer and/or Arranger: S. Webbe Incipit: 12345 43211 14321 Used With Text: Saviour, thro' the desert lead us
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SHEPHERD

Appears in 521 hymnals Composer and/or Arranger: William B. Bradbury Incipit: 33323 45153 23465 Used With Text: Savior, thro' the desert lead us
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FENITON COURT

Appears in 18 hymnals Composer and/or Arranger: E. J. Hopkins Tune Key: A Flat Major Incipit: 55113 21767 13543 Used With Text: "The Pillar Guide"

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Savior, Through the Desert Lead Us

Author: Thomas Kelly Hymnal: Hymns and Devotions for Daily Worship #300 (2024) Meter: 8.7.8.7.4.7 First Line: Savior, thru' the desert lead us Lyrics: 1. Savior, thru' the desert lead us, Without you we cannot go; You from cruel chains have freed us, You have laid the tyrant low; Let your presence Cheer us all our journey thru'. 2. Thru' a desert dry and cheerless, As our destined journey lie Rendered by your presence fearless, We may ev'ry foe defy; Nought shall move us While we see our Savior nigh. 3. When we halt, no track discov'ring, Fearful lest we go astray, O'er our path your pillar hov'ring, Fire by night and cloud by day, Shall direct us, Thus we shall not miss our way. 4. When we hunger, you will feed us, Manna shall our camp surround; Faint and thirsty, you will heed us; Streams shall from the rock abound; Happy Israel, What a Savior you have found. 5. When our foes in arms assemble, Ready to obstruct our way, Suddenly their hearts shall tremble; You will strike them with dismay, And your people, Led by you, shall win the day. 6. Then lead on, Almighty Victor, Scatter ev’ry hostile band; Be our Guide and our Protector, Till on Canaan’s shores we stand; Shouts of vic’try Then shall fill the Promised Land. Topics: Ordinary Time Week 20 Scripture: Exodus 16:12 Languages: English Tune Title: DESERT SAVIOR

Savior, through the desert lead us

Author: Kelly Hymnal: Perennial Songs #d174 (1891)

Savior, through the desert lead us

Author: Kelly Hymnal: The Millennial Harp #d178 (1854)

People

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William B. Bradbury

1816 - 1868 Composer of "SHEPHERD" in Hymns of Worship and Remembrance William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Samuel Webbe

1740 - 1816 Person Name: S. Webbe Composer of "BENEDICTION" in Messages of Love Hymn Book Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

E. J. Hopkins

1818 - 1901 Composer of "FENITON COURT" in Laudes Domini Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry
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