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Text Identifier:"^puer_nobis_nascitur$"

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[Puer nobis nascitur]

Appears in 38 hymnals Incipit: 12343 21556 71112 Used With Text: Puer Nobis
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FULTON

Meter: 7.6.7.7 Appears in 3 hymnals Composer and/or Arranger: Michael Praetorius Tune Sources: Trier, Germany, 15th Century Tune Key: D Major Incipit: 12343 23156 56716 Used With Text: Puer Nobis Nascitur

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Puer Nobis

Hymnal: The Oxford Book of Carols #92b (1928) First Line: Puer nobis nascitur Tune Title: [Puer nobis nascitur]
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Puer Nobis Nascitur

Author: Unknown Hymnal: The Cyber Hymnal #14249 Meter: 7.6.7.7 Lyrics: 1 Puer nobis nascitur Rector angelorum; In hoc mundo pascitur Dominus dominorum. 2 In praepe ponitur Sub fœno asinorum. Cognoverunt dominum Christum regem cœorum. 3 Hinc Herodes timuit— Magno cum dolore, Et pueros occidit, Infantes cum livore. 4 Qui natus est ex Marie— Die hodierna Ducat nos cum gratia D gaudia superna. 5 O et Α et Α et O Cum cantibus in choro, Cum canticis et organo, Benedicamus domino. Languages: Latin Tune Title: FULTON

Puer nobis nascitur Rector angelorum

Hymnal: Jubilee Hymns. Parish worship ed. with supplement #ad63 (1964) Languages: English

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Anonymous

Person Name: Unknown Author of "Puer Nobis Nascitur" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Michael Praetorius

1571 - 1621 Adapter of "FULTON" in The Cyber Hymnal Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman
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