Search Results

Switch back to the old search page.Advanced Search

Texts

Text authorities

Psalm 72: Lord, Every Nation on Earth

Appears in 3 hymnals First Line: O God, give your judgment to the king Refrain First Line: Lord, ev'ry nation on earth will adore you Topics: Advent; Christ the King; Compassion; Epiphany; Epiphany; Holy Name; Interfaith; Judgment; Justice; Poverty; Praise; Social Concern; World Scripture: Psalm 72:1-2 Used With Tune: [Lord, ev'ry nation on earth will adore you] Text Sources: Antiphon: Lectionary for Mass; Psalm: The Grail

Tunes

Tune authorities

[Lord, every nation on earth will adore you]

Appears in 1 hymnal Composer and/or Arranger: Val Parker Tune Key: G Major Used With Text: [Lord, every nation on earth will adore you]

[In his days justice will flourish]

Appears in 1 hymnal Composer and/or Arranger: J. Michael Joncas, b. 1951 Tune Key: D Major Incipit: 35132 125 Used With Text: Psalm 72:1-7, 10-14, 18-19 (A Responsorial Setting)

[Lord, ev'ry nation on earth will adore you]

Appears in 1 hymnal Composer and/or Arranger: Laurence Bevenot, OSB; Joseph Gelineau, SJ; Marty Haugen Tune Key: B Flat Major Incipit: 51765 45671 2 Used With Text: Psalm 72: Lord, Every Nation on Earth

Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 72: Lord, Every Nation on Earth

Hymnal: RitualSong #103 (1996) First Line: O God, give your judgment to the king Refrain First Line: Lord, ev'ry nation on earth will adore you Topics: Advent; Christ the King; Compassion; Epiphany; Epiphany; Holy Name; Interfaith; Judgment; Justice; Poverty; Praise; Social Concern; World Scripture: Psalm 72:1-2 Languages: English Tune Title: [Lord, ev'ry nation on earth will adore you]

Psalm 72:1-7, 10-14, 18-19 (A Responsorial Setting)

Hymnal: Psalms for All Seasons #72C (2012) First Line: In his days justice will flourish Topics: Atonement; Biblical Names and Places David; Biblical Names and Places Israel; Biblical Names and Places Jesse; Biblical Names and Places Seba; Biblical Names and Places Sheba; Biblical Names and Places Tarshish; Church Year Advent; Church Year Ascension of the Lord; Church Year Christ the King; Church Year Epiphany; Doxologies; Earth; Elements of Worship Gathering; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Elements of Worship Sending; God as King; God's Armor; God's Glory; God's law; Mission; New Creation; Occasional Services Civic / National Occasions; Peace; Poverty; Royal Psalms; Rulers; Salvation; Social Justice; The Needy; Truth; Year A, Advent, 2nd Sunday; Year A, B, C, Epiphany, Epiphany of our Lord (January 6 or Sunday before Epiphany) Scripture: Psalm 72 Languages: English Tune Title: [In his days justice will flourish]

[Lord, every nation on earth will adore you]

Hymnal: Psalms for All Seasons #72C(alt) (2012) First Line: Lord, every nation on earth will adore you Topics: Atonement; Biblical Names and Places David; Biblical Names and Places Israel; Biblical Names and Places Jesse; Biblical Names and Places Seba; Biblical Names and Places Sheba; Biblical Names and Places Tarshish; Church Year Advent; Church Year Ascension of the Lord; Church Year Christ the King; Church Year Epiphany; Doxologies; Earth; Elements of Worship Gathering; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Elements of Worship Sending; God as King; God's Armor; God's Glory; God's law; Mission; New Creation; Occasional Services Civic / National Occasions; Peace; Poverty; Royal Psalms; Rulers; Salvation; Social Justice; The Needy; Truth; Year A, Advent, 2nd Sunday; Year A, B, C, Epiphany, Epiphany of our Lord (January 6 or Sunday before Epiphany) Scripture: Psalm 72 Languages: English Tune Title: [Lord, every nation on earth will adore you]

People

Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Lord, ev'ry nation on earth will adore you]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Marty Haugen

b. 1950 Composer (antiphon) of "[Lord, ev'ry nation on earth will adore you]" in RitualSong Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink