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Paschal Feast! Upon the cross

Author: Edwin Le Grice, 1911-1992 Meter: 7.8.7.8 with alleluia Appears in 2 hymnals Topics: Easter; Easter V Year B Scripture: 1 Corinthians 5:7-8 Used With Tune: ST ALBINUS

Meter: 7.8.7.8 with alleluia Appears in 129 hymnals Composer and/or Arranger: Henry John Gauntlett (1805-1876) Tune Key: B Flat Major Incipit: 31536 65321 76115 Used With Text: Paschal Feast! Upon the cross

Instances

Published text-tune combinations (hymns) from specific hymnals

Paschal Feast! Upon the cross

Author: Edwin Le Grice, 1911-1992 Hymnal: Common Praise #155 (2000) Meter: 7.8.7.8 with alleluia Topics: Easter; Easter V Year B Scripture: 1 Corinthians 5:7-8 Languages: English Tune Title: ST ALBINUS

Paschal Feast! Upon the cross

Author: Edwin Le Grice (1911-1992) Hymnal: Ancient and Modern #214 (2013) Meter: 7.8.7.8 with alleluia Topics: Atonement; Church Year Good Friday; Church Year Easter; Easter; Future hope; Holy Communion; The Third Sunday of Easter Year C; Canticles and Affirmations of Faith Scripture: Romans 5:12-21 Languages: English Tune Title: ST ALBINUS

People

Authors, composers, editors, etc.

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett, 1805-1876 Composer of "ST ALBINUS" in Common Praise Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman