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On thee, each morning, O my God
Author: Knapp Meter: 8.6.8.6 Appears in 122 hymnals Used With Tune: ANTIOCH
On thee, each morning, O my God
[On thee, each morning, O my God]
Appears in 1 hymnal Composer and/or Arranger: A. J. Davis Tune Key: A Major Incipit: 53343 32155 7142 Used With Text: Our Hope in God
[On thee, each morning, O my God]
On Thee, Each Morning, O My God
Author: Andrew Kippis, 1725-1795 Hymnal: The Cyber Hymnal #8670 Meter: 8.6.8.6 First Line: On Thee each morning, O my God Lyrics: 1 On Thee each morning, O my God,
My waking thoughts attend;
In whom are founded all my hopes,
In whom my wishes end.
2 My soul, in pleading wonder lost,
Thy boundless love surveys,
And fired with grateful zeal prepares
Her sacrifice of praise.
3 When evening slumbers press my eyes,
With Thy protection blest,
In peace and safety I commit
My weary limbs to rest.
4 My spirit in Thy hands secure
Fears no approaching ill;
For whether waking or asleep
Thou, Lord, art with me still.
5 Then will I daily to the world
Thy wondrous acts proclaim;
Whilst all with me shall praises sing
And bless Thy sacred name.
6 At morn, at noon, at night I’ll still
The growing work pursue;
And Thee alone wilt praise, to whom
Eternal praise is due. Languages: English Tune Title: ABERDEEN
On Thee, Each Morning, O My God
Our Hope in God
Hymnal: The Temple Emanu-El Hymn Book for Schools (Part I) #2 (1875) First Line: On thee, each morning, O my God Tune Title: [On thee, each morning, O my God]
Our Hope in God
On thee, each morning, O my God, My waking thoughts attend
Author: Andrew Kippis Hymnal: Sacred Poetry #H.CCI (1795)
On thee, each morning, O my God, My waking thoughts attend
Anonymous
Author of "Morning or Evening Hymn" in The Gospel Psalmist In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
George Frideric Handel
1685 - 1759 Person Name: Handel Composer of "ANTIOCH" in African Methodist Episcopal hymn and tune book George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Andrew Kippis
1725 - 1795 Person Name: Andrew Kippis, 1725-1795 Author of "On Thee, Each Morning, O My God" in The Cyber Hymnal Kippis, Andrew, D.D., was born at Nottingham, March 28,1725, and educated for the ministry under Dr. Doddridge at Northampton, 1741-46. After a short residence with congregations at Boston and Dorking, he settled in London in 1753, as minister of the Princes Street Chapel, Westminster. There lie remained till his death in 1795, holding rank as the leading Presbyterian minister in the metropolis. For many years he was classical tutor at the Hoxton Academy, and afterwards at the Hackney College. He contributed largely to the Gentleman's Magazine and the Monthly Review, and edited five volumes of a new edition of the Biographia Britannica, a work commenced in 1778, and interrupted by his death on Oct. 8, 1795. His Life of Captain Cook was also published separately, and to his edition of Lardner's Works (1788) a Memoir was prefixed. His degree of D.D. was con¬ferred by the University of Edinburgh in 1767.
He was joint editor of A Collection of Hymns and Psalms for Public and Private Worship, selected and prepared by Andrew Kippis, D.D., &c. ; Abraham Rees, D.D., &c.; Rev. Thomas Jervis, and Rev. Thomas Mor¬gan, LL.D., London, 1795. This collection, commonly known as Kippis's, but sometimes as Kees's, passed through many editions, a Supplement being added in 1807, and was very generally used during the early decades of this century by congregations of Presbyterians and others, then become Unitarian in London and throughout the country [Unitarian Hymnody, § 9]. It contained 690 hymns.
The aim of the editors in their selection was to avoid “everything of a doubtful or disputable kind," and they adopt the language of Dr. Watts in the preface to his Hymns, "The contentious and distinguishing word of sects and parties are excluded." The alterations and omissions to adapt various hymns to the standard of the editors are considerable, though very little compared to what was done by others before and after them. The tone of the collection is somewhat colourless, and it gradually gave place among Unitarians to others which contained fuller and more varied expression of distinctively Christian feeling.
Two hymns by Kippis appear in this Collection.
1. Great God, in vain man's narrow view, The Incomprehensibility of God, which was generally adopted in later Unitarian books, and appears in Martineau's Hymns, 1840 and 1873.
2. How rich thy gifts, Almighty King, National Thanksgiving, which is four stanzas of the hymn, "Say, should we search the globe around," written for the thanksgiving appointed Nov. 29,1759, and appended to his Sermon on that occasion. It was given in full in Pope's Collection, 1760; and the Liverpool Octagon Collection, 1763. In Lindsey's Collection, 1774, five stanzas are given; in other early books only four, as in Kippis. The last two stanzas, somewhat altered, appear anonymously as: "With grateful hearts, with joyful tongues," in the Congregational Hymn Book, 1836, and the New Congregational Hymn Book, 1859.
[Rev. Valentine. D. David, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Andrew Kippis
