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Text Identifier:"^oer_the_distant_mountains_breaking$"

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O'er the distant mountains breaking

Author: John S. B. Monsell Appears in 113 hymnals Used With Tune: ZION

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O JERUSALEM, DU SCHÖNE

Meter: 8.7.8.7.4.4.7 Appears in 21 hymnals Composer and/or Arranger: Johann G. C. Störl, 1675-1719 Tune Key: G Major Incipit: 51666 27512 34221 Used With Text: O'er the Distant Mountains Breaking
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CUM NUBIBUS

Appears in 36 hymnals Composer and/or Arranger: Henry Smart (1812-1879) Incipit: 17153 43234 51253 Used With Text: O'er the distant mountains breaking
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HOLYWOOD

Appears in 202 hymnals Tune Sources: J. F. Wade's Cantus Diversi, 1751 Incipit: 12312 34365 43221 Used With Text: O'er the distant mountains breaking

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O'er the distant mountains breaking

Author: Rev. J. S. B. Monsell Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #46 (1894) Meter: 8.7.8.7.4.7 Lyrics: 1 O'er the distant mountains breaking Comes the reddening dawn of day; Rise, my soul, from sleep awaking, Rise, and sing, and watch and pray; 'Tis thy Saviour, On His bright returning way. 2 O Thou long-expected! weary Waits my anxious soul for Thee, Life is dark, and earth is dreary, Where Thy light I do not see; O my Saviour, When wilt Thou return to me? 3 Nearer is my soul's salvation, Spent the night, the day at hand; Keep me in my lowly station, Watching for Thee, till I stand, O my Saviour, In Thy bright, Thy promised land, 4 With my lamp well trimmed and burning, Swift to hear and slow to roam, Watching for Thy glad returning To restore me to my home. Come, my Saviour, Thou hast promised: quickly come. Amen. Topics: Preparation for Christ Languages: English Tune Title: [O'er the distant mountains breaking]
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O'er the Distant Mountains Breaking

Author: John S. B. Monsell Hymnal: Hymns of the Second Coming of Our Lord Jesus Christ #187 (1911) Languages: English Tune Title: [O'er the distant mountains breaking]
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O'er the distant mountains breaking

Hymnal: Sunday School Book #17 (1903) First Line: O'er the distant mountains breaking Lyrics: 1 O'er the distant mountains breaking Comes the reddening dawn of day; Rise, my soul, from sleep awaking, Rise, and sing, and watch, and pray; 'Tis Thy Saviour, 'Tis Thy Saviour, On His bright returning way. 2 O Thou long-expected! Wear Waits my anxious soul for Thee; Life is dark, and earth is dreary, Where Thy light I do not see; O my Saviour, O my Saviour, When wilt Thou return to me? 3 Nearer is my soul's salvation, Spent the night, the day at hand; Keep me in my lowly station, Watching for Thee, till I stand, O my Saviour, O my Saviour, In Thy bright and promsied land. 4 With my lamp, well trimmed and burning, Swift to hear and slow to roam, Watching for Thy glad returning, To restore me to my home. Come, my Saviour, Come, my Saviour, Thou hast promised; quickly come. Topics: The Christian Festivals; Advent and Christmas Advent

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Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart (1812-1879) Composer of "CUM NUBIBUS" in Carmina Sanctorum Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

D. S. Hakes

Composer of "[O'er the distant mountains breaking]" in Better Than Pearls

William B. Bradbury

1816 - 1868 Composer of "SHEPHERD" in Hymns of Victory William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry
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