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Search Results

Text Identifier:"^o_that_my_load_of_sin_were_gone$"

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Texts

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O that my load of sin were gone!

Author: C. Wesley Meter: 8.8.8.8 Appears in 447 hymnals Used With Tune: GRATITUDE

Tunes

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NEWHAVEN

Appears in 101 hymnals Composer and/or Arranger: G. Burder Incipit: 55654 32111 76543 Used With Text: O that my load of sin were gone!
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HURSLEY

Appears in 1,101 hymnals Tune Sources: Old Tune Incipit: 11117 12321 3333 Used With Text: O that my load of sin were gone
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FEDERAL STREET

Appears in 654 hymnals Composer and/or Arranger: H. K. Oliver Incipit: 33343 55434 44334 Used With Text: O that my load of sin were gone!

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O that My Load of Sin were Gone

Author: C. Wesley Hymnal: Hymns of the Christian Life No. 2 #62 (1897) First Line: O that my load of sin were gone! Languages: English Tune Title: [O that my load of sin were gone!]
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O that my load of sin were gone

Author: Chas. Wesley Hymnal: Living Hymns #287 (1890) First Line: O that my load of sin were gone! Lyrics: 1 O that my load of sin were gone! O that I could at last submit At Jesus’ feet to lay it down-- To lay my soul at Jesus’ feet! 2 Rest for my soul I long to find; Saviour of all, if mine thou art, Give me thy meek and lowly mind, And stamp thine image on my heart. 3 Break off the yoke of inbred sin, And fully set my spirit free; I cannot rest till pure within, Till I am wholly lost in thee. 4 Fain I would learn of thee, my God, Thy light and easy burden prove, The cross all stained with hallowed blood, The labor of thy dying love. 5 I would, but thou must give the power; My heart from every sin release; Bring near, bring near the joyful hour, And fill me with thy perfect peace. Languages: English Tune Title: FOREST

O that My Load of Sin Were Gone

Author: Charles Wesley Hymnal: Glorious Gospel Hymns #375 (1931) Languages: English Tune Title: [O that my load of sin were gone]

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes (1823-1876) Composer of "ILKLEY" in The Pilgrim Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

I. B. Woodbury

1819 - 1858 Person Name: Isaac Baker Woodbury Composer of "EUCHARIST" in Songs of Redemption Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

William Henry Monk

1823 - 1889 Person Name: Henry Monk Arranger of "HURSLEY" in The Gospel in Song William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman
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