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Wolfgang Amadeus Mozart

1756 - 1791 Person Name: Wolfgang A. Mozart Composer of "MOZART" in Hymns of Worship and Remembrance Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice. John Perry

Robert C. Chapman

1803 - 1902 Person Name: R. Chapman Author of "O my Saviour crucified" in Messages of Love Hymn Book Robert Cleaver Chapman (1 April 1803 – 6 December 1902), known as the "apostle of Love", was a pastor, teacher and evangelist. Chapman was born in Helsingor, Denmark, in a wealthy Anglican merchant family from Whitby, Yorkshire. Robert was educated by his mother whilst the family was in Denmark and later at a boarding school in Yorkshire, after the return of the family to England. At the age of 15 Robert moved to London to work as an apprentice clerk in the legal profession. Robert completed his 5 year apprenticeship and became an attorney in 1823. In the same year he became a Christian after listening to the gospel preached by James Harrington Evans in a nonconformist chapel in London. He prospered in his career and also spiritually and spent most of his spare time visiting and helping the poor of London. His dedication to the poor made a great impression on his cousin's husband, a Mr. Pugsley, from Barnstaple, Devon. So much so that Puglsey, another lawyer, also became a Christian and began working with the poor in Barnstaple. In 1831 Robert visited Barnstaple on a holiday and helped out in preaching and other Christian work in the vicinity. On returning to London he became convinced that he was being called into full time Christian work, he also increasingly felt that some aspects of his legal work sat uncomfortably with his faith. In 1832 he was invited by the Ebenezer Strict Baptist Chapel in Barnstaple to be their pastor. In April 1832 he left the lucrative legal profession and stepped down the social ladder and moved to Barnstaple to become pastor. He accepted the post as pastor of a Strict Baptist chapel only on the condition that he would only be bound by what was written in the Bible and not by any denominational creeds or beliefs. Fellowship, for example, he believed was open to all true believers in Christ, and not restricted to those who had been baptised by full immersion on a profession of faith. His views on fellowship were similar to those of Anthony Norris Groves. Over time, the chapel changed from being Strict Baptist to a non denominational one ran on similar grounds to the assembly led by George Muller in Bristol, with a building at Grosvenor Street eventually being known as Grosvenor Street Chapel. In 1994 this church moved from Grosvenor Street to another part of Barnstaple occupying a converted railway shed and is now known as Grosvenor Church – http://www.grosvenorchurch.org Other examples of the assembly moving to a non denominational position are one man ministry being replaced by the priesthood of all believers and Chapman refusing any clerical salary. Chapman never enforced these changes onto the chapel and never forced his viewpoint but was prepared to wait for every believer meeting at the chapel to see the need for change. Chapman rose to become an influential figure within the Plymouth Brethren alongside John Nelson Darby and George Muller. His zeal and compassion for people led to him being referred to by many as the "apostle of love". For example, Chapman preferred to live very frugally in a deprived area of Barnstaple in order to reach the poor. In 1848 he sided with George Muller in regards to a dispute over the independency of each assembly and believed that John Nelson Darby should have waited much longer before excommunicating Muller's assembly in Bristol for not supporting Darby in his dispute with Benjamin Wills Newton. This riled some supporters of Darby who were wanting to discredit Chapman. Darby, however reproved them, saying, "You leave that man alone; We talk of the heavenlies, but Robert Chapman lives in them." In regards to the timing of the rapture of the Church, an issue which became prominent within the brethren movement, Chapman held a partial rapture view with part of the saved being raptured before the Great Tribulation and a part of them after the Great Tribulation. Charles Spurgeon called Chapman "the saintliest man I ever knew". Chapman became so well known that a letter from abroad addressed only to "R.C. Chapman, University of Love, England" was correctly delivered to him. --en.wikipedia.org ============================== Chapman, Robert Cleaver, was born Jan. 4, 1803, and has been for more than fifty years a "Minister of tho Gospel" at Barnstaple. In 1837 he published:— Hymns for the Use of the Church of Christ. By R. C. Chapman, Minister of the Gospel, Barnstaple. 1837. This was reprinted in 1852. Some copies of the 1852 edition have bound up with them An Appendix selected from Various Sources. By John Chapman. Several of these hymns were repeated in the Plymouth Brethren Hymns for the Poor of the Flock, 1838; A Few Hymns and Some Spiritual Songs, selected 1856 for the Little Flock; and in other collections. These include:— 1. Go behold [and search] the tomb of Jesus. Easter. 2. God's tender mercies follow still. Heaven. Com¬posed of stanza xxi. of "The Lamb of God exalted reigns." 3. King of glory set on high. Ascension. 4. My soul, amid this stormy world. Longing for heaven. 5. No condemnation—0 my soul. Peace in Believing. 6. 0 God, Whose wondrous Name is Love. Resignation. 7. The Prince of Life, once slain for us. Advent. Mr. Chapman's hymns and poems number 162, and are mainly in use with the Plymouth Brethren, with whom he was a Minister. They are given in his Hymns and Meditations, Barnstaple, 1871. He died June 12, 1902. --John Julian, Dictionary of Hymnology (1907)

Louis M. Gottschalk

1829 - 1869 Person Name: L. M. Gottschalk Composer of "MERCY" in Messages of Love Hymn Book Louis Moreau Gottschalk USA 1829-1869. Born in New Orleans, LA, to a Jewish father and Creole mother, he had six siblings and half-siblings. They lived in a small cottage in New Orleans. He later moved in with relatives (his grandmother and a nurse). He played the piano from an early age and was soon recognized as a prodigy by new Orleans bourgeois establishments. He made a performance debut at the new St. Charles Hotel in 1840. At 13 he left the U.S. And went to Europe with his father, as they realized he needed classical training to fulfill his musical ambitions. The Paris Conservatory rejected him without hearing him play on the grounds of his nationality. Chopin heard him play a concert there and remarked, “Give me your hand, my child, I predict that you will become the king of pianists. Franz Liszt and Charles Valentin Alkan also recognized his extreme talent. He became a composer and piano virtuoso, traveling far and wide performing, first back to the U.S., then Cuba, Puerto Rico, Central and South America. He was taken with music he heard in those places and composed his own. He returned to the States, resting in NJ, then went to New York City. There he mentored a young Venezuelan student, Carreno, and became concerned that she succeed. He was only able to give her a few lessons, yet she would remember him fondly and play his music the rest of her days. A year after meeting Gottschalk, she performed for President Lincoln and went on to become a renowned concern pianist, earning the nickname “Valkyrie of the Piano”. Gottschalk was also interested in art and made connections with notable figures of the New York art world. He traded one of his compositions to his art friend, Frederic Church, for one of Church's landscape paintings. By 1860 Gootschalk had established himself as the best known pianist in the New World. He supported the Union cause during the Civil War and returned to New Orleans only occasionally for concerts. He traveled some 95,000 miles and gave 1000 concerts by 1865. He was forced to leave the U.S. later that year as a result of a scandelous affair with a student at Oakland Female Seminary in Oakland, CA. He never came back to the U.S. He went to South America giving frequent concerts. At one, in Rio de Janeiro, Brazil, he collapsed from yellow fever as he played a concert. He died three weeks later, never recovering from the collapse, possibly from an overdose of quinine or an abdominal infection. He was buried in Brooklyn, NY. Though some of his works were destroyed or disappeared after his death, a number of them remain and have been recorded by various artists. John Perry

Martin Herbst

1654 - 1681 Composer of "[O my Saviour crucified!]" in Hymns Born: January 15, 1654, Rotenbach, Germany. Died: 1681, Eisleben, Germany, of plague. Martin Herbst (1654-1681) was a German Lutheran clergyman. Herbst stu­died at St. Lo­renz School in Nürn­berg, and read the­ol­o­gy and phi­lo­so­phy at Alt­dorf and Je­na. He was made Rec­tor of the Gym­na­si­um in Eis­le­ben in 1680, and lat­er became pas­tor of St. An­dre­as church in the same town. --www.hymnswithoutwords.com/hymns

Paul Heinlein

1626 - 1686 Person Name: P. Heinlein Composer of "HEINLEIN" in Hymns of Grace and Truth Born: Ap­ril 11, 1626, Nuremburg, Ger­ma­ny. Died: Au­gust 6, 1686, Nuremburg, Ger­ma­ny. Heinlein’s (also Hainlein) first train­ing came from a lo­cal mu­si­cian who taught him to play the key­board and wind in­stru­ments. He went on to stu­dy in Linz, Austria; Mu­nich, Germany, and in It­a­ly (1646). He was ap­point­ed Raths­mu­sik­us in Nuremburg in 1650; or­gan­ist at St. Ägy­di­en in 1655, Ka­pell­meis­ter at the Church of Our La­dy in 1656, and or­gan­ist at St. Se­bald’s Ca­the­dral in 1656. His works in­clude six books of mourn­ing and fun­er­al hymns, and tunes con­trib­ut­ed to other col­lect­ions. Music JESU, JESU, DU MEIN HIRT --www.hymntime.com/tch

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