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Search Results

Text Identifier:"^o_lord_my_inmost_heart_and_thought$"

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Texts

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The Searcher of Hearts

Meter: 8.6.8.6 Appears in 9 hymnals First Line: O Lord, my inmost heart and thought Lyrics: 1. O Lord, my inmost heart and tho't Thy searching eye doth see; Where'er I rest, where'er I go, My ways are known to Thee. 2. Each spoken word, each silent tho't Thou, Lord, dost understand; Before me and behind art Thou, Restraining by Thy hand. 3. If I the wings of morning take To some remotest land, Still I shall be upheld by Thee And guided by Thy hand. 4. From Thee, O Lord, I cannot hide, Tho' darkness cover me; The darkness and the light of day Are both alike to Thee. 5. Search me, O God, and know my heart, Try me, my tho'ts to know; O lead me, if in sin I stray, In paths of life to go. Topics: Christians Graces of; Fidelity; God Attributes of; God Infinity of; God Omnipotence of; God Omniscience of; Heart Claimed of God; Heart Searching of; Self-Examination Scripture: Psalm 139 Used With Tune: HORSLEY

Tunes

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WALSALL

Meter: 8.6.8.6 Appears in 43 hymnals Composer and/or Arranger: Henry Purcell (1658-1695) Tune Sources: In Anchors' A Choice Collection, c. 1721 Tune Key: G Minor Incipit: 13215 54321 32171 Used With Text: O Lord, My Inmost Heart and Thought
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HORSLEY

Meter: 8.6.8.6 Appears in 173 hymnals Composer and/or Arranger: Wiliam Horsley Tune Key: E Flat Major Incipit: 12343 54325 31765 Used With Text: The Searcher of Hearts
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BINGHAM

Meter: 8.6.8.6 Appears in 14 hymnals Composer and/or Arranger: Anonymous Tune Key: B Flat Major Incipit: 51123 56671 32751 Used With Text: O Lord, My Inmost Heart and Thought

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Lord, My Inmost Heart and Thought

Hymnal: The Hymnbook #129 (1955) Meter: 8.6.8.6 Lyrics: 1 O Lord, my inmost heart and thought Thy searching eye doth see; Where'er I rest, where'er I go, My ways are known to Thee. 2 Each spoken word, each silent thought, Thou, Lord, dost understand; Before me and behind art Thou, Restraining by Thy hand. 3 If I the wings of morning take To some remotest land, Still I shall be upheld by Thee And guided by Thy hand. 4 From Thee, O Lord, I cannot hide, Though darkness cover me; The darkness and the light of day Are both alike to Thee. 5 Search me, O God, and know my heart, Try me, my thoughts to know; O lead me, if in sin I stray, In paths of life to go. Amen. Topics: God Guide; God Presence; God the Father His Presence Scripture: Psalm 139 Tune Title: WALSALL
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O Lord, My Inmost Heart and Thought

Hymnal: Psalter Hymnal (Red) #306 (1934) Meter: 8.6.8.6 Lyrics: 1 O Lord, my inmost heart and thought Thy searching eye doth see; Where'er I rest, where'er I go, My ways are known to Thee. 2 Each spoken word, each silent thought, Thou, Lord, dost understand; Before me and behind art Thou, Restraining by Thy hand. 3 If I the wings of morning take To some remotest land, Still I shall be upheld by Thee And guided by Thy hand. 4 From Thee, O Lord, I cannot hide, Though darkness cover me; The darkness and the light of day Are both alike to Thee. 5 Search me, O God, and know my heart, Try me, my thoughts to know; O lead me, if in sin I stray, In paths of life to go. Topics: Guidance of God, of Christ; Omnipresence of God; Omniscience of God; Preparatory Service; Searcher of Hearts; Self-Examination Scripture: Psalm 139 Languages: English Tune Title: BINGHAM
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O Lord, My Inmost Heart and Thought

Hymnal: The Cyber Hymnal #5129 Meter: 8.6.8.6 Lyrics: 1. O Lord, my inmost heart and thought Thy searching eye doth see; Where’er I rest, where’er I go, My ways are known to Thee. 2. Each spoken word, each silent thought, Thou, Lord, dost understand; Before me and behind art Thou, Restraining by Thy hand. 3. If I the wings of morning take To some remotest land, Still I shall be upheld by Thee And guided by Thy hand. 4. From Thee, O Lord, I cannot hide Though darkness cover me; The darkness and the light of day Are both alike to Thee. 5. Search me, O God, and know my heart, Try me, my thoughts to know; O lead me, if in sin I stray, In paths of life to go. Languages: English Tune Title: GUTERHIRT

People

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Authors, composers, editors, etc.

Anonymous

Composer of "BINGHAM" in Psalter Hymnal (Blue) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

James McGranahan

1840 - 1907 Composer of "[O Lord, my inmost heart and thought]" in Bible Songs No. 4 James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

Henry Purcell

1659 - 1695 Person Name: Henry Purcell (1658-1695) Composer (ascribed to) of "WALSALL" in The Hymnbook Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman
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