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O Lord most high, with all my heart

Meter: 8.8.8.8 Appears in 14 hymnals Lyrics: 1 O Lord most high, with all my heart Thy wondrous works I will proclaim; I will be glad and give thee thanks And sing the praises of thy Name. 2 The Lord, the everlasting King, Is seated on his judgment throne; The righteous Judge of all the world Will make his perfect justice known. 3 Jehovah will a refuge prove, A refuge strong for all oppressed, A safe retreat, where weary souls In troublous times may surely rest. 4 All they, O Lord, that know thy Name Their confidence in thee will place, For thou hast ne'er forsaken them Who earnestly have sought thy face. 5 Sing praises to the Lord most high, To him who doth in Zion dwell; Declare his mighty deeds abroad, His deeds among the nations tell. Amen. Topics: Confidence; God Divine Perfections of; God Glory of; God Judge; God Justice of; God Praise of; God Refuge; God Works of Scripture: Psalm 9:1-2 Used With Tune: ROCKINGHAM OLD Text Sources: The Psalter, 1912

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ROCKINGHAM OLD

Meter: 8.8.8.8 Appears in 522 hymnals Composer and/or Arranger: Edward Miller Tune Key: D Major Incipit: 13421 35655 17655 Used With Text: O Lord Most High, with All My Heart
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MOZART

Meter: 8.8.8.8 Appears in 210 hymnals Composer and/or Arranger: Wolfgang A. Mozart (1756-1791) Tune Key: G Major Incipit: 11765 44353 54213 Used With Text: O Lord Most High, with All My Heart
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[O Lord Most High, with all my heart]

Appears in 8 hymnals Composer and/or Arranger: L. S. Leason Incipit: 51656 53132 34654 Used With Text: I Will Joy

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O Lord Most High, with All My Heart

Hymnal: Trinity Hymnal (Rev. ed.) #48 (1990) Meter: 8.8.8.8 Lyrics: 1 O Lord Most High, with all my heart your wondrous works I will proclaim; I will be glad and give you thanks and sing the praises of your name. 2 The Lord, the everlasting King, is seated on his judgment throne; the righteous Judge of all the world will make His perfect justice known. 3 Jehovah will a refuge prove, a refuge strong for all oppressed, a safe retreat, where weary souls in troubled times may surely rest. 4 All they, O Lord, that know your name their confidence in you will place, for you have ne’er forsaken them who earnestly have sought your face. 5 Sing praises to the Lord Most High, to him who does in Zion dwell; declare his mighty deeds abroad, his deeds among the nations tell. Topics: God His Justice; God Praise of; God Works of Scripture: Psalm 9:1-11 Languages: English Tune Title: ROCKINGHAM OLD
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O Lord Most High, with All My Heart

Hymnal: The Hymnbook #388 (1955) Meter: 8.8.8.8 First Line: O Lord Most High, with all my heart Lyrics: 1 O Lord Most High, with all my heart Thy wondrous works I will proclaim; I will be glad and give Thee thanks And sing the praises of Thy name. 2 A mighty fortress is our God, A refuge strong for all oppressed, A safe retreat, where weary souls In troublous times may surely rest. 3 All they, O Lord, that know Thy name Their confidence in Thee will place, For Thou hast ne'er forsaken them Who earnestly have sought Thy face. 4 Sing praises to the Lord Most High, To Him who doth in Zion dwell; Declare His mighty deeds abroad, His deeds among the nations tell. Amen. Topics: Adoration and praise; God Strength and Refuge; Prayer; Trust; Life in Christ Prayer and Intercession Scripture: Psalm 9 Tune Title: MOZART
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I Will Joy

Hymnal: Bible Songs No. 4 #17 (1917) First Line: O Lord Most High, with all my heart Refrain First Line: I will joy, I will joy Lyrics: 1 O Lord most high, with all my heart Thy wondrous works I will proclaim; I will be glad and give Thee thanks And sing the praises of Thy Name. Refrain: I will joy, I will joy, And sing the praise of Thy great Name, I will joy, I will joy, And sing the praise of Thy great Name. 2 Jehovah will a refuge prove, A refuge strong for all oppressed, A safe retreat, where weary souls In troublous times may surely rest. [Refrain] 3 All they, O Lord, that know Thy Name Their confidence in Thee will place, For Thou hast ne'er forsaken them Who earnestly have sought Thy face. [Refrain] Scripture: Psalm 9 Languages: English Tune Title: [O Lord Most High, with all my heart]

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William Kethe

? - 1594 Author of "O LORD Most High" in Psalms of Grace William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "RIVAULX" in The Psalter As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Chas. H. Gabriel

1856 - 1932 Composer of "[O Lord Most High, with all my heart]" in Bible Songs No. 4 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
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