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O hear them marching, marching
Author: Marion Franklin Ham, b. 1867 Appears in 4 hymnals Used With Tune: GREENLAND
O hear them marching, marching
O Hear Them Marching, Marching
Author: Marion F. Ham, 1867-1956 Hymnal: The Cyber Hymnal #4994 Meter: 7.6.7.6 D Lyrics: 1. O hear them marching, marching,
The legions of good will,
The men of peace who seek not
To bomb and maim and kill;
They march not to their conquest
With battle flags unfurled;
But with their gentle spirit
They shall subdue the world.
2. Through all the bloodstained ages
Their numbers have increased,
The spirit struggling upward
To overcome the beast;
The meek who shall inherit
And rule the warring earth,
With patient faith are bringing
The new regime to birth.
3. The men of war oppose them,
And seek to bar the way,
The powers of darkness striving
To thwart the coming day;
But, led by unseen forces,
Their hosts are marching still,
To build for future ages
The kingdom of good will.
4. A mighty captain leads them,
The valiant Prince of Peace;
They shall possess the future,
And ancient wrongs shall cease;
O men of good will, marching
To bloodless victory,
We join your hosts in building
The kingdom that shall be. Languages: English Tune Title: GREENLAND (Haydn)
O Hear Them Marching, Marching
O Hear Them Marching, Marching
Author: Marion Franklin Ham, 1867- Hymnal: Christian Worship #564 (1941) Topics: World Friendship and Peace Languages: English Tune Title: GREENLAND
O Hear Them Marching, Marching
O hear them marching, marching
Author: Marion Franklin Ham Hymnal: The Youth Hymnary #d144 (1956)
O hear them marching, marching
Michael Haydn
1737 - 1806 Person Name: Johann Michael Haydn, 1737 - 1806 Composer of "GREENLAND (Haydn)" in The Cyber Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Marion Franklin Ham
1867 - 1956 Person Name: Marion F. Ham, 1867-1956 Author of "O Hear Them Marching, Marching" in The Cyber Hymnal Born: February 18, 1867, Harveysburg, Ohio.
Died: July 23, 1956, Arlington, Massachusetts.
Buried: Mount Auburn Cemetery, Cambridge, Massachusetts.
Ham began his career as a journalist and bank clerk in Chattanooga, Tennessee. Ordained a Unitarian minister in 1898, he pastored in Chattanooga (1898-1904); at the First Church in Dallas, Texas (1904-09); and in Reading (1909-34), Waverly (1934-42), and Gardner, Massachusetts (1943-45). The Meadville Theological School in Chicago, Illinois, awarded him a Doctor of Divinity degree in 1942, the year he retired. Ham’s works include:
The Golden Shuttle, 1896
The Kinchin Stories, 1914
Songs of the Spirit, 1932
Songs of Faith and Hope, 1940
O Mother-Heart, 1941
Keeper of the Flame, 1945
Freedom, 1950
Songs at Sunset, 1951
Songs of a Lifetime, 1953
In a Rose Garden, 1954
www.hymntime.com/tch/
Marion Franklin Ham
