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O God, Why Are You Silent?

Author: Marty Haugen, b. 1950 Meter: 7.6.7.6 D Appears in 6 hymnals Topics: Lament Used With Tune: PASSION CHORALE

Meter: 7.6.7.6 D Appears in 539 hymnals Composer and/or Arranger: Hans Leo Hassler, 1564-1612; Marty Haugen, b. 1950 Tune Key: a minor Incipit: 51765 45233 2121 Used With Text: O God, Why Are You Silent?

Instances

Published text-tune combinations (hymns) from specific hymnals

O God, Why Are You Silent?

Author: Marty Haugen Hymnal: More Voices #73 (2007) Meter: 7.6.7.6 D Topics: Confession, Lament, and Healing; Christian Year Lent; Healing; Jesus Christ Cross; Lament Scripture: Psalm 22 Languages: English Tune Title: PASSION CHORALE

O God, Why Are You Silent?

Author: Marty Haugen Hymnal: Sing a New Creation #80 (2022) Meter: 7.6.7.6 D Topics: Doubt; God's Absence; Grief; Lament; Praise Scripture: Psalm 22 Languages: English Tune Title: PASSION CHORALE

O God, Why Are You Silent?

Author: Marty Haugen, b. 1950 Hymnal: RitualSong (2nd ed.) #776 (2016) Meter: 7.6.7.6 D Topics: Lament Languages: English Tune Title: PASSION CHORALE

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People

Authors, composers, editors, etc.

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Arranger of "HERZLICH TUT MICH VERLANGEN" in Evangelical Lutheran Worship Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Author of "O God, Why Are You Silent?" in Gather Comprehensive, Second Edition Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

Hans Leo Hassler

1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Composer of "PASSION CHORALE" in Gather Comprehensive, Second Edition Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany. John Perry