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O God! we praise Thee, and confess
Author: Nahum Tate Meter: 8.6.8.6 Appears in 205 hymnals Lyrics: 1 O God! we praise Thee, and confess
That Thou the only Lord
And everlasting Father art,
By all the earth adored.
2 To Thee all angels cry aloud;
To Thee the powers on high,
Both cherubim and seraphim,
Continually do cry:--
3 O holy, holy, holy Lord,
Whom heavenly hosts obey,
The world is with the glory filled
Of Thy majestic sway!
4 Th'apostles' glorious company,
And prophets crowned with light,
With all the martyrs' noble host,
Thy constant praise recite.
5 The holy Church throughout the world,
O Lord, confesses Thee,
That Thou th'eternal Father art,
Of boundless majesty.
Amen. Topics: God our father; God Glory of; God Majesty of; Praise To God Used With Tune: HALLON
O God! we praise Thee, and confess
TALLIS' ORDINAL
Meter: 8.6.8.6 Appears in 230 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: D Major Incipit: 13455 66551 76651 Used With Text: O God, We Praise Thee, and Confess
TALLIS' ORDINAL
O God, We Praise Thee, and Confess
Author: St. Ambrose, 380-90 Hymnal: The Carol #18a (1886) First Line: O God, we praise thee and confess Languages: English Tune Title: [O God, we praise thee and confess]
O God, We Praise Thee, and Confess
O God, we Praise Thee, and Confess
Author: Saint Ambrose Hymnal: A Book of Song and Service #38 (1905) First Line: O God, we praise Thee and confess Topics: Praise and Gratitude Languages: English Tune Title: [O God, we praise Thee and confess]
O God, we Praise Thee, and Confess
O God, We Praise Thee, and Confess
Hymnal: Great Songs of the Church (Revised) #70 (1986) Lyrics: 1 O God, we praise Thee and confess that Thou the only Lord and everlasting Father art, By all the earth adored.
2 To Thee all angels cry aloud; To Thee the powers on high, both cherubim and seraphim, Continually do cry:
3 O holy, holy, holy Lord, Whom heavenly hosts obey, The world is with the glory filled Of Thy majestic sway!
4 The holy Church throughout the world, O Lord, confesses Thee, That Thou eternal Father art, of boundless majesty. Amen. Topics: God; Praise; Worship Scripture: Revelation 4:8 Languages: English Tune Title: TALLIS' ORDINAL
O God, We Praise Thee, and Confess
Anonymous
Author of "O God, we praise thee; and confess" in The Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "LAUD" in The New Laudes Domini As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Croft
1678 - 1727 Person Name: Wm. Croft, 1677,1727 Composer (Ascribed to) of "ST. ANNE" in Songs for the Chapel William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript.
Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844
William Croft
