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¡Oh Cordero celestial!

Appears in 2 hymnals Used With Tune: BEULAH

BEULAH

Appears in 58 hymnals Composer and/or Arranger: Elam Ives, Jr. Tune Key: E Flat Major Incipit: 12313 51653 65312 Used With Text: ¡Oh Cordero celestial!

Meter: 7.7.7.7.7.7.7.7 Appears in 292 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: E Flat Major Incipit: 35655 43176 53123 Used With Text: Oh Cordero celestial

Instances

Published text-tune combinations (hymns) from specific hymnals

Oh Cordero celestial

Author: Desconocido Hymnal: Culto Cristiano #53 (1964) Meter: 7.7.7.7.7.7.7.7 Lyrics: 1 ¡Oh Cordero celestial, Por mí herido en Gólgota! Paz, perdón, vida eternal Busco en Ti con triste afán. Compadécete de mí Ayudándome a creer; Líbrame de todo mal Por tu gracia y tu poder. 2 Ningún mérito hay en mí, Por tu cruz sólo hay salud: Lávame de mi maldad, Visteme de tu virtud. Débil temeroso, en Ti Hallo fortaleza y fe; La salud encuentro al fin: Vida eterna gozaré. 3 Aunque llore sin cesar, En él llanto sin valor; La fe sólo en Ti, Jesús, Vale para el pecador. Pues, Señor, tal como soy Yo me entrego ahora a Ti; ¡Oh Cordero celestial, Eres todo para mí! Topics: El Año Cristiano Cuaresma; Cruz y Consuelo; Comunión con Cristo; Communion with Christ; Cross and Comfort; Christian Year Lent Languages: Spanish Tune Title: HOLLINGSIDE

¡Oh Cordero celestial!

Hymnal: Himnario provisional con los cánticos #65 (1907) Languages: Spanish Tune Title: BEULAH

People

Authors, composers, editors, etc.

Anonymous

Person Name: Desconocido Author of "Oh Cordero celestial" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Composer of "HOLLINGSIDE" in Culto Cristiano As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman