Thanks for being a Hymnary.org user. You are one of more than 10 million people from 200-plus countries around the world who have benefitted from the Hymnary website in 2024! If you feel moved to support our work today with a gift of any amount and a word of encouragement, we would be grateful.

You can donate online at our secure giving site.

Or, if you'd like to make a gift by check, please make it out to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton Street SE, Grand Rapids, MI 49546
And may the promise of Advent be yours this day and always.

Search Results

Text Identifier:"^o_christ_with_each_returning_morn$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

O Christ, With Each Returning Morn

Author: Anon. Meter: 8.8.8.8 Appears in 49 hymnals Topics: Worship Morning Hymns Used With Tune: ZEPHYR

Tunes

tune icon
Tune authorities
Page scansAudio

ZEPHYR

Meter: 8.8.8.8 Appears in 225 hymnals Composer and/or Arranger: W. B. Bradbury (1816-1868) Tune Key: C Major Incipit: 55561 65324 32354 Used With Text: O Christ, With Each Returning Morn
Page scansAudio

HURSLEY

Appears in 1,101 hymnals Composer and/or Arranger: Francis Joseph Haydn (1732-1809) Incipit: 11117 12321 3333 Used With Text: O Christ! with each returning morn
Page scansAudio

HAMBURG

Appears in 931 hymnals Composer and/or Arranger: Lowell Mason, 1792-1872 Incipit: 11232 34323 33343 Used With Text: O Christ, with each returning morn

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

O Christ! with each returning Morn

Author: Anon. Hymnal: Heart and Voice #123 (1881) Languages: English Tune Title: [O Christ! with each returning morn]
TextPage scan

Each Returning Morn

Author: Anon. Hymnal: Christ in Song #792 (1908) First Line: O Christ, with each returning morn Lyrics: 1. O Christ, with each returning morn Thine image to our hearts be borne; And may we ever clearly see Our dearest treasure, Lord, in thee! 2. All hallowed be our walk this day; May meekness form our morning ray, And faithful love our noontide light, And hope our sunset, calm and bright. 3. May grace each idle thought control, And sanctify each wayward soul; May guile depart, and malice cease, And all within be joy and peace. Topics: Hymns for Worship Morning Hymns Languages: English Tune Title: ZEPHYR
Page scan

O Christ, With Each Returning Morn

Author: Anon. Hymnal: The Church Hymnal #41 (1941) Meter: 8.8.8.8 Topics: Worship Morning Hymns Languages: English Tune Title: ZEPHYR

People

person icon
Authors, composers, editors, etc.

John Chandler

1806 - 1876 Person Name: Chandler Translator of "O Christ, with each returning morn" in Hymns of the Faith with Psalms John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Joseph Haydn

1732 - 1809 Person Name: Francis Joseph Haydn (1732-1809) Composer of "HURSLEY" in Hymns of the Ages Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. AMBROSE" in The School Hymnary As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.