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Not worthy, Lord, to gather up the crumbs
Author: E. H. Bickersteth Appears in 89 hymnals Used With Tune: MORECAMBE
Not worthy, Lord, to gather up the crumbs
[Not worthy, Lord, to gather up the crumbs]
Appears in 384 hymnals Composer and/or Arranger: Mendelssohn Incipit: 32154 43217 13222 Used With Text: Not Worthy, Lord!
[Not worthy, Lord, to gather up the crumbs]
Not Worthy, Lord, to Gather up the Crumbs
Author: E. H. Bickersteth Hymnal: Concordia #60 (1918) Lyrics: 1 Not worthy, Lord, to gather up the crumbs
With trembling hand, that from Thy table fall,
A weary, heavy-laden sinner comes
To plead Thy promise and obey Thy call.
2 I am not worthy to be thought Thy child,
Nor sit the last and lowest at Thy board;
Too long a wanderer, and too oft beguiled,
I only ask one reconciling word.
3 One word from Thee, my Lord, one smile, one look,
And I could face the cold, rough world again;
And with that treasure in my heart could brook
The wrath of devils and the scorn of men.
4 And is not mercy Thy prerogative--
Free mercy boundless, fathomless, divine?
Me, Lord, the chief of sinners, me forgive,
And Thine the greater glory, only Thine.
5 I hear Thy voice; Thou bidst me come and rest:
I come, I kneel, I clasp Thy piercèd feet:
Thou bid'st me take my place, a welcome guest
Among Thy saints, and of Thy banquet eat.
6 My praise can only breathe itself in prayer.
My prayer can only lose itself in Thee;
Dwell Thou for ever in my heart, and there,
Lord, let me sup with Thee: sup Thou with me.
Topics: The Church and the Means of Grace The Lord's Supper; Faith and Justification Languages: English Tune Title: EVENTIDE
Not Worthy, Lord, to Gather up the Crumbs
Not worthy, Lord, to gather up the crumbs
Author: E.H. Bickersteth Hymnal: The Lutheran Hymnary #310 (1913) Lyrics: 1 Not worthy, Lord, to gather up the crumbs
With trembling hand that from Thy table fall,
A weary, heavy-laden sinner comes
To plead Thy promise and obey Thy call.
2 I am not worthy to be thought Thy child,
Nor sit the last and lowest at Thy board;
Too long a wanderer, and too oft beguiled,
I only ask one reconciling word.
3 One word from Thee, my Lord, one smile, one look,
And I could face the cold, rough world again;
And with that treasure in my heart could brook
The wrath of devils and the scorn of men.
4 And is not mercy Thy prerogative--
Free mercy, boundless, fathomless, divine?
Me, Lord, the chief of sinners, me forgive,
And Thine the greater glory, only Thine.
5 I hear Thy voice; Thou bidst me come and rest;
I come, I kneel, I clasp Thy piercéd feet;
Thou bidst me take my place, a welcome guest
Among Thy saints, and of Thy banquet eat.
6 My praise can only breathe itself in prayer.
My prayer can only lose itself in Thee;
Dwell Thou for ever in my heart, and there,
Lord, let me sup with Thee; sup Thou with me. Topics: The Church Year Holy Thursday; The Church Year Holy Thursday; Humility Tune Title: [Not worthy, Lord, to gather up the crumbs]
Not worthy, Lord, to gather up the crumbs
Not Worthy, Lord, to Gather Up the Crumbs
Author: Edward H. Bickersteth Hymnal: The Cyber Hymnal #4638 Meter: 10.10.10.10 Lyrics: 1. Not worthy, Lord, to gather up the crumbs
With trembling hand that from Thy table fall,
A weary, heavy laden sinner comes
To plead Thy promise and obey Thy call.
2. I am not worthy to be thought Thy child,
Nor sit the last and lowest at Thy board;
Too long a wanderer and too oft beguiled;
I only ask one reconciling word.
3. One word from Thee, my Lord, one smile, one look,
And I could face the cold, rough world again;
And with that treasure in my heart could brook
The wrath of devils and the scorn of men.
4. And is not mercy Thy prerogative—
Free mercy, boundless, fathomless, divine?
Me, Lord, the chief of sinners, me forgive,
And Thine the greater glory, only Thine.
5. I hear Thy voice; Thou bidd’st me come and rest;
I come, I kneel, I clasp Thy piercèd feet;
Thou bidd’st me take my place, a welcome guest
Among Thy saints, and of Thy banquet eat.
6. My praise can only breathe itself in prayer,
My prayer can only lose itself in Thee;
Dwell Thou forever in my heart, and there,
Lord, let me sup with Thee; sup Thou with me. Languages: English Tune Title: MORECAMBE
Not Worthy, Lord, to Gather Up the Crumbs
Edward Henry Bickersteth
1825 - 1906 Person Name: Edward H. Bickersteth Author of "Not Worthy, Lord!" in Trinity Hymnal (Rev. ed.) Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:—
(l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883.
As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:—
(1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation. [Ch. of England Hymnody.]
About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use.
-John Julian, Dictionary of Hymnology (1907)
=================
Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
==================
Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Henry Bickersteth
Lowell Mason
1792 - 1872 Composer of "ERNAN" in The New Christian Hymnal Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
E. J. Hopkins
1818 - 1901 Person Name: E. J. Hopkins (1818- ) Composer of "BENEDICTION" in Hymns of the Ages Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
