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Text Identifier:"^no_man_nor_angel_can_compare_with_our_al$"

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WALSALL

Meter: 8.6.8.6 Appears in 45 hymnals Composer and/or Arranger: Henry Purcell, 1658-1695 Tune Key: g minor Incipit: 13215 54321 32171 Used With Text: No Man, Nor Angel, Can Compare

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No Man, Nor Angel, Can Compare

Author: Susannah Harrison Hymnal: The Cyber Hymnal #8688 Meter: 8.6.8.6 Lyrics: 1 No man, nor angel, can compare With our almighty Lord: To speak like Him what seraph dare, Or imitate His word? 2 Who can command the dead to rise, With a prevailing power? Who can pour light on sightless eyes? The sick to health restore? 3 Whose word can fiends infernal tame; Or furious winds control? Unstop deaf ears; or cure the lame; Or make the wounded whole? 4 One word from Jesus this performs, And proves His power divine; His breath can still the roughest storms, Leviathan confine! 5 None else could expiate my guilt, Nor save one soul from hell; Not all the blood of mortals spilt Since our first parents fell. 6 Jesus for me fulfilled the law, And justice satisfied; My guilt and misery He saw, And for my ransom died. 7 Love such as His can ne’er be found, His grace is rich indeed; Such words as His there’s none can sound, Nor do as Jesus did. Languages: English Tune Title: WALSALL
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No man, nor angel, can compare With our all glorious God

Author: Susanna Harrison Hymnal: Hymns, Original and Selected, for the Use of Christians. (5th ed. corr.) #146 (1812) Languages: English

No man, nor angel, can compare With our all glorious God

Author: Susanna Harrison Hymnal: Hymns, Original and Selected, for the use of Christians #d161 (1805) Languages: English

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Susannah Harrison

1752 - 1784 Author of "No Man, Nor Angel, Can Compare" in The Cyber Hymnal Harrison, Susanna, invalided from her work as a domestic servant at the age of 20, published Songs in the Night, 1780. This included 133 hymns, and passed through ten editions. She is known by "Begone, my worldly cares, away," and "O happy souls that love the Lord." Born in 1752 and died Aug. 3, 1784. --John Julian, Dictionary of Hymnology, New Supplement (1907) ================================ Harrison, Susanna. (1752--August 3, 1784, Ipswich, England). The preface to the first edition of her collected hymns, Songs in the night, 1780, states that she was "a very obscure young woman, and quite destitute of the advantages of education, as well as under great bodily affliction. Her father dying when she was young, and leaving a large family unprovided for, she went out to service at sixteen years of age." In August 1722, she became ill, probably with tuberculosis, and returned to her mother's home. She taught herself to write and in her remaining years she wrote 142 hymns which, with a few meditations, were published as Songs in the night by an anonymous editor, perhaps her rector. So sincere yet vivid is the expression of her faith as she faced certain death that by 1847 there had been eleven editions printed in England and seven additional ones in America. Individual hymns remained popular in America during much of the nineteenth century due to the constant preoccupation with death in both urban and frontier life, reflected in the large sections of funeral hymns in most hymnals. --Leonard Ellinwood, DNAH Archives

Henry Purcell

1659 - 1695 Person Name: Henry Purcell, 1658-1695 Composer (attributed to) of "WALSALL" in The Cyber Hymnal Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman
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