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My Grieving Soul Revive, O Lord
Meter: 8.6.8.6 Appears in 6 hymnals Lyrics: 1 My grieving soul revive, O Lord,
According to Thy word;
To Thee my ways I have declared,
And Thou my prayer hast heard.
2 Teach me to know Thy holy way
And think upon Thy deeds;
In grief I ask for promised grace
According to my needs.
3 Keep me from falsehood, let Thy law
With me in grace abide;
The way of faithfulness I choose,
Thy precepts are my guide.
4 I cleave unto Thy truth, O Lord;
From shame deliver me;
In glad obedience I will live
Through strength bestowed by Thee. Topics: Prayer in Afflictions; Falsehood; Guidance of God, of Christ; God the Hearer of Prayer; Law of God; Meditation; Obedience; God our Teacher; Truth; Word of God Scripture: Psalm 119 Used With Tune: AZMON
My Grieving Soul Revive, O Lord
My Grieving Soul Revive, O Lord
Hymnal: Psalms and Hymns to the Living God #119D (2023) Meter: 8.6.8.6 Lyrics: 1 My grieving soul revive, O Lord,
according to Thy word;
to Thee my ways I have declared,
and Thou my prayer hast heard.
2 Teach me to know Thy holy way
and think upon Thy deeds;
in grief I ask for promised grace
according to my needs.
3 Keep me from falsehood, let Thy law
with me in grace abide;
the way of faithfulness I choose,
Thy precepts are my guide.
4 I cleave unto Thy truth, O Lord;
from shame deliver me;
in glad obedience I will live
through strength bestowed by Thee. Topics: Instruction Scripture: Psalm 119:24-32 Languages: English Tune Title: MARTYRDOM
My Grieving Soul Revive, O Lord
My Grieving Soul Revive, O Lord
Hymnal: Psalter Hymnal (Red) #253 (1934) Meter: 8.6.8.6 Lyrics: 1 My grieving soul revive, O Lord,
According to Thy word;
To Thee my ways I have declared,
And Thou my prayer hast heard.
2 Teach me to know Thy holy way
And think upon Thy deeds;
In grief I ask for promised grace
According to my needs.
3 Keep me from falsehood, let Thy law
With me in grace abide;
The way of faithfulness I choose,
Thy precepts are my guide.
4 I cleave unto Thy truth, O Lord;
From shame deliver me;
In glad obedience I will live
Through strength bestowed by Thee. Topics: Prayer in Afflictions; Falsehood; Guidance of God, of Christ; God the Hearer of Prayer; Law of God; Meditation; Obedience; God our Teacher; Truth; Word of God Scripture: Psalm 119 Languages: English Tune Title: AZMON
My Grieving Soul Revive, O Lord
My Grieving Soul Revive, O Lord
Author: Anonymous Hymnal: The Cyber Hymnal #4240 Meter: 8.6.8.6 Lyrics: 1. My grieving soul revive, O Lord,
According to Thy Word;
To Thee my ways I have declared
And Thou my prayer hast heard.
2. Teach me to know Thy holy way
And think upon Thy deeds;
In grief I ask for promised grace
According to my need.
3. Keep me from falsehood, let Thy law
With me in grace abide;
The way of faithfulness I choose,
Thy precepts are my guide.
4. I cleave unto Thy truth, O Lord,
From shame deliver me;
In glad obedience I will live
Through strength bestowed by Thee. Languages: English Tune Title: DALEHURST
My Grieving Soul Revive, O Lord
Lowell Mason
1792 - 1872 Arranger of "AZMON" in Psalter Hymnal (Red) Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Hugh Wilson
1766 - 1824 Composer of "MARTYRDOM" in Psalms and Hymns to the Living God Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed.
Bert Polman
Hugh Wilson
C. G. Gläser
1784 - 1829 Person Name: Carl G. Gläser, 1784-1839 Composer of "AZMON" in Psalter Hymnal (Red) Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen.
John Perry
C. G. Gläser
