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Make channels for the streams of love
Author: R. C. Trench Appears in 68 hymnals Used With Tune: CHRISTMAS
Make channels for the streams of love
LAND OF REST
Meter: 8.6.8.6 Appears in 190 hymnals Composer and/or Arranger: Annabel Morris Buchanan, 1899-1983; Charles H. Webb, 1933- Tune Sources: American folk melody Tune Key: F Major or modal Incipit: 51123 51165 51123 Used With Text: Make Channels for the Streams of Love
LAND OF REST
Make Channels for the Streams of Love
Author: Richard Chenevix Trency,1807-1886 Hymnal: Singing the Living Tradition #299 (1993) Meter: 8.6.8.6 Lyrics: 1 Make channels for the streams of love
where they may broadly run;
and love has overflowing streams
to fill them every one.
2 But if at any time we cease
such channels to provide,
the very founts of love for us
will soon be parched and dried.
3 For we must share, if we would keep
this gift all else above;
we cease to give, we cease to have —
such is the law of love. Topics: Humanist Teachings The Life of Integrity; Love Languages: English Tune Title: LAND OF REST
Make Channels for the Streams of Love
Make channels for the streams of love
Author: Richard C. Trench Hymnal: Christian Science Hymnal #86 (1909) Languages: English Tune Title: [Make channels for the streams of love]
Make channels for the streams of love
Make channels for the streams of love
Author: French Hymnal: The Voice of Praise #611 (1873) Meter: 8.6.8.6 Lyrics: 1 Make channels for the streams of love,
Where they may broadly run;
And love has overflowing streams
To fill them every one.
2 But if at any time we cease
Such channels to provide,
The very founts of love for us
Will soon be parched and dried.
3 For we must share, if we would keep,
That blessing from above:
Ceasing to give, we cease to have;
Such is the law of love. Topics: The Christian Life Consecration and Activity; Make Channels for the Streams of Love
Make channels for the streams of love
Samuel Webbe
1740 - 1816 Person Name: S. Webbe Composer of "EMANUEL" in Song-Hymnal of Praise and Joy Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
William Vincent Wallace
1812 - 1865 Person Name: Wallace Composer of "[Make channels for the streams of love]" in Good-Will Songs
William Vincent Wallace
Henry Purcell
1659 - 1695 Composer of "COLCHESTER" in Christian Science Hymnal (Rev. and enl.) Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems.
Bert Polman
Henry Purcell
