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Love divine, all loves excelling
Author: Charles Wesley, 1707-1788 Meter: 8.7.8.7 D Appears in 1,880 hymnals Lyrics: 1 Love divine, all loves excelling,
joy of heaven, to earth come down,
fix in us thy humble dwelling,
all thy faithful mercies crown.
Jesus, thou art all compassion,
pure, unbounded love thou art;
visit us with thy salvation,
enter every trembling heart.
2 Come, almighty to deliver,
let us all thy life receive;
suddenly return, and never,
nevermore thy temples leave.
Thee we would be alway blessing,
serve thee as thy hosts above,
pray, and praise thee without ceasing,
glory in thy perfect love.
3 Finish then thy new creation;
pure and spotless let us be;
let us see thy great salvation
perfectly restored in thee:
changed from glory into glory,
till in heaven we take our place,
till we cast our crowns before thee,
lost in wonder, love, and praise.
Used With Tune: HYFRYDOL
Love divine, all loves excelling
Love Divine, All Loves Excelling
Author: Charles Wesley, 1707-1788 Hymnal: Evangelical Lutheran Worship #631 (2006) Meter: 8.7.8.7 D Lyrics: 1 Love divine, all loves excelling,
Joy of heav'n, to earth come down!
Fix in us thy humble dwelling,
all thy faithful mercies crown.
Jesus, thou art all compassion,
pure, unbounded love thou art;
visit us with thy salvation,
enter ev'ry trembling heart.
2 Breathe, oh, breathe thy loving Spirit
into ev'ry troubled breast;
let us all in thee inherit;
let us find thy promised rest.
Take away the love of sinning;
Alpha and Omega be;
end of faith, as its beginning,
set our hearts at liberty.
3 Come, Almighty, to deliver;
let us all thy life receive;
suddenly return, and never,
nevermore thy temples leave.
Thee we would be always blessing,
serve thee as thy hosts above,
pray, and praise thee without ceasing,
glory in thy perfect love.
4 Finish then thy new creation,
pure and spotless let us be;
let us see thy great salvation
perfectly restored in thee!
Changed from glory into glory,
till in heav'n we take our place,
till we cast our crowns before thee,
lost in wonder, love and praise! Topics: Hope, Assurance; Joy, Celebration; Advent; Christian Life; Compassion, Caring; Hope, Assurance; Joy, Celebration; Love; Mercy Languages: English Tune Title: HYFRYDOL
Love Divine, All Loves Excelling
Love Divine, All Love Excelling
Author: Charles Wesley Hymnal: Hymnal for Church and Home #26 (1927) Lyrics: 1 Love divine, all love excelling,
Joy of heav'n to earth come down!
Fix in us Thy humble dwelling,
All Thy faithful mercies crown:
Jesus, Thou art all compassion,
Pure, unbounded love Thou art;
Visit us with Thy salvation,
Enter ev'ry trembling heart.
2 Breathe, O breathe Thy loving Spirit
Into ev'ry troubled breast!
Let us all in Thee inherit,
Let us find Thy promised rest.
Take away the love of sinning,
Alpha and Omega be;
End of faith, as its beginning,
Set our hearts at liberty.
3 Come, Almighty, to deliver,
Let us all Thy life receive;
Graciously return, and never,
Never more Thy temples leave!
Thee we would be always blessing,
Serve Thee as Thy hosts above,
Pray, and praise Thee without ceasing,
Glory in Thy perfect love.
4 Finish, then, Thy new creation,
Pure and spotless let us be:
Let us see Thy great salvation,
Perfectly restored in Thee.
Changed from glory into glory,
Till in heav'n we take our place,
Till we cast our crowns before Thee,
Lost in wonder, love, and praise. Topics: Opening Hymns Languages: English Tune Title: [Love divine, all love excelling]
Love Divine, All Love Excelling
Love Divine, All Loves Excelling
Author: Charles Wesley Hymnal: Yes, Lord! #38 (1982) Lyrics: 1 Love divine, all loves excelling,
Joy of heaven to earth come down,
Fix in us Thy humble dwelling,
All Thy faithful mercies crown.
Jesus, Thou art all compassion,
Pure, unbounded love Thou art;
Visit us with Thy salvation,
Enter every trembling heart.
2 Breathe, O breathe Thy loving Spirit
Into every troubled breast:
Let us all in Thee inherit,
Let us find Thy promised rest.
Take away our bent to sinning,
Alpha and Omega be:
End of faith, as its beginning,
Set our hearts at liberty.
3 Come, Almighty to deliver,
Let us all Thy life receive;
Suddenly return, and never,
Nevermore Thy temples leave.
Thee we would be always blessing,
Serve Thee as Thy hosts above,
Pray, and praise Thee without ceasing,
Glory in Thy perfect love.
4 Finish then Thy new creation,
Pure and spotless let us be:
Let us see Thy great salvation
Perfectly restored in Thee.
Changed from glory into glory,
'Til in heaven we take our place,
'Til we cast our crowns before Thee,
Lost in wonder, love, and praise.
Amen. Topics: Worship and Adoration Languages: English Tune Title: [Love divine, all loves excelling]
Love Divine, All Loves Excelling
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart Composer of "BETHANY" in Redemption Songs Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Edmund S. Lorenz
1854 - 1942 Person Name: E. S. Lorenz Arranger of "GEINSHEIM" in Tried and True Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund,
====================
Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900.
Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany.
He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889.
Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934).
For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree.
--Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives
Edmund S. Lorenz
Michael Haydn
1737 - 1806 Person Name: M. Haydn Composer of "BENEDICTION" in The Westminster Abbey Hymn-Book Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
