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Text Identifier:"^lo_he_cometh_countless_trumpets$"

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Lo he cometh countless trumpets

Appears in 157 hymnals Used With Tune: HAYDN

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HAYDN

Appears in 755 hymnals Incipit: 12324 32716 54323 Used With Text: Lo he cometh countless trumpets
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JUDGMENT

Appears in 370 hymnals Composer and/or Arranger: Joseph Klug Tune Key: A Major Incipit: 11321 22313 45321 Used With Text: Lo, he cometh! countless trumpets
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BENEDICTION (Mann)

Meter: 8.7.8.7.4.7 Appears in 21 hymnals Composer and/or Arranger: Arthur Henry Mann Tune Key: A Major Incipit: 51432 61754 31762 Used With Text: Lo! He Cometh!

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Lo, he cometh! countless trumpets

Author: John Cennick Hymnal: The Seventh-Day Adventist Hymn and Tune Book #911 (1886) Lyrics: 1 Lo, he cometh! countless trumpets Christ's appearance usher in: 'Midst ten thousand saints and angels See our Judge and Saviour shine: Hallelujah! hallelujah! Welcome, welcome, Lamb once slain. 2 Now the song of all the ransomed, "Worthy is the Lamb," resounds; Now resplendent shine his nail-prints Every eye shall see his wounds; Great his glory, great his glory! Every knee to him shall bow, 3 Every island, sea, and mountain, Earth and heaven flee away; All his enemies confounded Hear the trump proclaim his day: Come to judgment! come to judgment! Stand before the Son of man. 4 All who love him view his glory, In his bright, once-marred face: Jesus cometh; all his people Now their heads with gladness raise: Happy mourners! happy mourners! Lo, on clouds he comes, he comes! 5 See redemption, long expected, On that awful day appear; All his people, once despised, Joyful meet him in the air: Hallelujah! hallelujah! Saviour, now thy kingdom comes. Topics: Second Advent Executive Judgment Tune Title: JUDGMENT
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Lo! He Cometh!

Author: John Cennick Hymnal: The Cyber Hymnal #3890 Meter: 8.7.8.7.4.7 First Line: Lo! He cometh! countless trumpets Lyrics: 1. Lo! He cometh! countless trumpets Blow to raise the sleeping dead! ’Mid ten thousand saints and angels, See the great exalted Head! Hallelujah! Welcome, welcome, Son of God! 2. Full of joyful expectation, Saints behold their Lord appear; Truth and justice go before Him; Now the joyful sentence hear! Hallelujah! Welcome sounds throughout the air! 3. Come, ye blessèd of My Father, Enter into life and joy! Banish all your fears and sorrows, Endless praise be your employ! Hallelujah! Welcome, welcome to the skies. 4. Now at once they rise to glory, Jesus brings them to the King; There with all the hosts of Heaven, They eternal anthems sing: Hallelujah! Boundless glory to the Lamb! This is the earliest known printed version of the text, from Cennick’s Collection of Sacred Hymns, fifth edition (Dublin: Samuel Powell, 1752): 1. Lo! He cometh, countless trumpets Blow before His bloody sign! ’Midst ten thousand saints and angels, See the Crucified shine. Allelujah! Welcome, welcome, bleeding Lamb! 2. Now His merits by the harpers, Thro’ the eternal deep resounds! Now resplendent shine His nail-prints, Every eye shall see His wounds; They who pierced Him, Shall at His appearing wail. 3. Every island, sea, and mountain, Heaven and earth shall flee away! All who hate Him must, ashamed, Hear the trump proclaim His day: Come to judgment! Stand before the Son of Man! 4. All who love Him view His glory, Shining in His bruised face: His dear person on the rainbow, Now His people’s heads shall raise: Happy mourners! Now on clouds He comes! He comes! 5. Now redemption, long expected, See, in solemn pomp appear: All His people, once despised, Now shall meet Him in the air: Allelujah! Now the promised kingdom’s come! 6. View Him smiling, now determined Every evil to destroy! All the nations now shall sing Him Songs of everlasting joy! O come quickly! Allelujah! come Lord, come! Languages: English Tune Title: BENEDICTION (Mann)
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Lo! he cometh! countless trumpets

Hymnal: Songs of Zion #29 (1821) Meter: 8.7.8.7.4.7 Lyrics: 1. Lo! He cometh! countless trumpetsBlow before his bloody sign,Midst ten thousand saints and angels,See the crucified shine.Hallelujah!Welcome, welcome bleeding Lamb!2. Now his merit by the harpers,Through the eternal deep resounds!Now resplendent shine his nail prints,Every eye shall see the wounds;They who pierced himShall at his appearing wail.3. Every island, sea, and mountain,Heaven and earth shall flee away!All who hate him must, ashamed,Hear the trump proclaim the day:Come to judgment,Stand before the Son of man.4. Saints, who love him, view his glory,Shining in his bruised face:See him seated on the rainbow,Now his people's head shall raise:Happy mourners!Now on clouds he comes! he comes!5. Now redemption, long expected,See, in solemn pomp appear:All his people, once rejected,Now shall meet him in the air:Hallelujah!Now the promised kingdom's come!6.View him smiling – now determinedEvery evil to destroy;All the nations now shall sing himSongs of everlasting joy.O, come quickly!Hallelujah! come Lord, come! Tune Title: WATCHMAN

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John Cennick

1718 - 1755 Author of "Lo, he cometh! countless trumpets" in The Seventh-Day Adventist Hymn and Tune Book John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)

John Rippon

1751 - 1836 Author of "Lo he cometh countless trumpets" in The American Repository of Sacred Music Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

Thomas Olivers

1725 - 1799 Author of "Lo he cometh countless trumpets" in The Psalms and Hymns, with the Doctrinal Standards and Liturgy of the Reformed Protestant Dutch Church in North America Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868. --John Julian, Dictionary of Hymnology (1907)
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