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Text Identifier:"^like_shadows_gliding_oer_the_plain$"

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Like shadows gliding o'er the plain

Author: John Taylor Appears in 68 hymnals Used With Tune: ANGELUS

Tunes

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ANGELUS

Appears in 259 hymnals Composer and/or Arranger: Georg Josephi Incipit: 11234 55455 67176 Used With Text: Like shadows gliding o'er the plain
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WARD

Appears in 315 hymnals Incipit: 55171 56555 55123 Used With Text: Like shadows gliding o'er the plain
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FEDERAL STREET

Appears in 654 hymnals Composer and/or Arranger: Henry Kemble Oliver Tune Key: F Major or modal Incipit: 33343 55434 44334 Used With Text: Like shadows gliding o'er the plain

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Like shadows gliding o'er the plain

Author: Jane Taylor Hymnal: The Seventh-Day Adventist Hymn and Tune Book #932 (1886) Lyrics: 1 Like shadows gliding o'er the plain, Or clouds that roll successive on, Man's busy generations pass, And while we gaze, their forms are gone. 2 We live, we die: behold the sum Of good or ill on life's fair page; Alike in God's all-seeing eye, The infant's day, the patriarch's age. 3 O Father, in whose mighty hand The boundless years and ages lie, Teach us thy boon of life to prize, And use the moments as they fly. Topics: Death and Resurrection Tune Title: FEDERAL STREET
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Like shadows gliding o'er the plain

Hymnal: A Collection of Psalms and Hymns for Social and Private Worship #CCLXVII (1823) Languages: English
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Like shadows gliding o'er the plain

Author: John Taylor Hymnal: Melodies and Hymns for Divine Service in Appleton Chapel #a245 (1870) Languages: English

People

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Authors, composers, editors, etc.

Georg Joseph

1630 - 1668 Person Name: Georg Josephi Composer of "ANGELUS" in Services for Congregational Worship. The New Hymn and Tune Book Born: Probably circa 1630, Breslau, Silesia (now Wrocław, Poland). Died: Circa 1668. A musician in the service of the Prince-Bishop of Breslau in last half of the 17th Century, Joseph collaborated published five hymn volumes with Johann Scheffler. Sources Erickson, p. 325 Stulken, p. 218 Music: ANGELUS --www.hymntime.com/tch

Robert Schumann

1810 - 1856 Person Name: Schumann Composer of "SCHUMANN" in The Christian Hymnal Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

John Taylor

1750 - 1826 Author of "Like shadows gliding o'er the plain" in Services for Congregational Worship. The New Hymn and Tune Book Taylor, John, born July 30, 1750, was the son of Richard Taylor, of Norwich, and grandson of Dr. John Taylor (1694-1761, the eminent Hebrew scholar, who was for many years minister of the Octagon Chapel, Norwich, and afterwards Divinity tutor at the Warrington Academy. Dr. Taylor published A Collection of Tunes in Various Airs, one of the first collections of its kind, and his grandson was one of the most musical of Unitarian hymn-writers). Young Taylor, after serving his apprenticeship in his native place, was for two years in a banking house in London, at which time he was an occasional poetical contributor to the Morning Chronicle. In 1773 he returned to Norwich, where he spent the rest of his life, first as a manufacturer, and afterwards as a wool and yarn factor. For nearly fifty years he was a deacon at the Octagon Chapel. At the time of the French Revolution he joined in the support of The Cabinet, a periodical brought out by the Liberals of Norwich, in conjunction with Dr. Enfield, William Taylor, Miss Alderson (Mrs. Opie), and others, and, as a "poet of the olden time," he contributed five poems thereto. These, and other political songs and poems relating to family events, &c, together with 50 hymns, were collected in Hymns and Miscellaneous Poems, Reprinted for Private Distribution, 1863, with a Memoir taken from the Monthly Repository of Sept. 1826, by his son, Edward Taylor, then Gresham Professor of Music. An earlier and less complete edition, containing 43 hymns, he had himself caused to be printed by his sons, Richard and Arthur Taylor, London, 1818. He died June 23, 1826. Of his hymns the following 9 were contributed to Dr. Enfield's Selection of Hymns for Social Worship, Norwich, 1795:— 1. Far from mortal cares retreating. Divine Worship. 2. Father divine, before Thy view. Divine Providence. 3. Father of our feeble race. Christian Love. This begins in Horder's Congregational Hymns, 1884, and others, with st. ii., "Lord, what offering shall we bring?" 4. Glory be to God on high. Divine glories celebrated. The first stanza is by C. Wesley, and the rest are by Taylor. 5. God of mercy, God of love [grace], Hear our sad repentant song. Penitence. 6. 0 sing to the Lord a new song. Praise to the Supreme Ruler and Judge. 7. Praise to God, the great Creator. Praise to the Father. The hymn "Saints with pious zeal attending" in Hatfield's Church Hymns, &c.,N.Y., 1872, begins with line 4 of stanza i. of this hymn. 8. Raise your voice and joyful sing. Praise. 9. Rejoice, the Lord is King. Providence acknowledged in the Seasons. The first stanza and 11. 5 and 6 of all are by C. Wesley, and the rest are by Taylor. J. Taylor edited Hymns intended to be used at the Commencement of Social Worship, London, 1802. To that collection he contributed 10 hymns, including:— 10. At the portals of Thy house. Divine Worship. In a few American collections a cento from this hymn is given as, "Lord, before thy presence come." 11. Blessed Sabbath of our [the] Lord. Sunday. 12. 0 how delightful is the road. Divine Worship. 13. Supreme o'er all Jehovah reigns.. Divine Worship. All the foregoing, except No. 8, were re-published in the Norwich Collectionof 1814. That edition contained 33 of Taylor's hymns. To the 2nd ed., 1826, he added 9 more. To R. Aspland's Selection of Psalms and Hymns for Unitarian Worship, Hackney, 1810, he contributed 26 hymns, old and new, including :— 14. Like shadows gliding o'er the plain. Time and Eternity. 15. The Mighty God who rolls [rules] the spheres. God the Preserver of Man. These 15 are the best known of Taylor's hymns, and are largely found in Unitarian collections. See especially Dr. Martineau's Hymns, &c, of 1840, and of 1873. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)
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