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Voz de Gratitud
Author: V. Mendoza Appears in 10 hymnals First Line: La gloria de Cristo el Señor cantaré Refrain First Line: Es todo bondad para mí Used With Tune: [La gloria de Cristo el Señor cantaré]
Voz de Gratitud
[La gloria de Cristo el Señor cantaré]
Appears in 138 hymnals Composer and/or Arranger: Chas. H. Gabriel Tune Key: A Flat Major Incipit: 53334 32216 55777 Used With Text: La Gloria De Cristo
[La gloria de Cristo el Señor cantaré]
La Gloria De Cristo Cantaré
Author: V. Mendoza Hymnal: Melodias Evangelicas para el Uso de las Iglesias Evangelicas de Habla Española en Todo el Mundo #125 (1935) First Line: La gloria de Cristo el Señor cantaré Refrain First Line: Es todo bondad para mí Languages: Spanish Tune Title: [La gloria de Cristo el Señor cantaré]
La Gloria De Cristo Cantaré
La Gloria De Cristo
Author: Vicente Mendoza Hymnal: El Nuevo Himnario Popular (Edicion Revisada y Corregida) #307 (1955) First Line: La gloria de Cristo el Señor cantaré Refrain First Line: Es todo bondad para mí Languages: Spanish Tune Title: [La gloria de Cristo el Señor cantaré]
La Gloria De Cristo
La Gloria de Cristo
Author: Vicente Mendoza, 1875-1955 Hymnal: Himnario Metodista #44 (1973) First Line: La gloria de Cristo el Señor cantaré Refrain First Line: Es todo bondad para mí Languages: Spanish Tune Title: [La gloria de Cristo el Señor cantaré]
La Gloria de Cristo
Vicente P. Mendoza
1875 - 1955 Person Name: Vicente Mendoza, 1875-1955 Author of "La Gloria de Cristo" in Himnario Metodista Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist).
© The Cyber Hymnal™ (hymntime.com/tch)
Vicente P. Mendoza
Chas. H. Gabriel
1856 - 1932 Person Name: Charles H. Gabriel Author of "La GLoria de Cristo" in Himnario Bautista Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
