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Text Identifier:"^king_of_glory_savior_dear$"

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King of glory! Saviour dear!

Author: Mrs. Mitchell Appears in 11 hymnals

Tunes

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POSEN

Appears in 147 hymnals Composer and/or Arranger: C. G. Strattner Tune Key: E Flat Major Incipit: 11112 34355 55671 Used With Text: King of glory! Saviour dear!
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BENEDICT

Appears in 6 hymnals Tune Key: C Major Incipit: 55111 11335 35433 Used With Text: King of Glory! Saviour dear!
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[King of glory! Saviour dear]

Appears in 18 hymnals Composer and/or Arranger: Rev. Sir F. A. G. Ouseley, Mus. Doc. Tune Key: C Major Incipit: 35165 43255 67655 Used With Text: King of glory! Saviour dear

Instances

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Published text-tune combinations (hymns) from specific hymnals

King of glory, Savior dear

Author: Elizabeth Harcourt Mitchell Hymnal: Hymns and Tunes for Children of the Church #d107 (1886) Languages: English
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King of glory! Savior dear!

Author: E. H. Mitchell Hymnal: The Church Hymnal #549 (1898) Meter: 7.7.7.7 Topics: All Saints; Other Feasts and Fasts; Perseverance Tune Title: POSEN
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King of glory! Saviour dear

Author: Elizabeth H. Mitchell Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #549 (1894) Lyrics: 1 King of glory! Saviour dear! Grant us grace to persevere; Leader of the hosts of God, May we tread where Thou hast trod! 2 Once for Thee, the Crucified, Many a faithful martyr died; How can we, Thy children, show All our love, for all Thy woe? 3 They for Thee faced ax and wheel, Fire, and beasts, and piercing steel; Like them, may we suffer shame, Pain or loss for Thy dear Name; 4 Bearing calmly for our Lord Thoughtless jest or bitter word; Curbing angry speech and tear, Strong in Thee to persevere. 5 Persevere! Thy yoke is light, Persevere! Thy crown is bright, Persevere, and we shall sing In the palace of our King! Amen. Topics: All Saints; For Children; Perseverance Languages: English Tune Title: [King of glory! Saviour dear]

People

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Robert Prescott Stewart

1825 - 1894 Person Name: Sir Robert Stewart Composer of "BENEDICT" in The Children's Hymn Book

Elizabeth Harcourt Mitchell

b. 1833 Person Name: E. H. Mitchell Author of "King of glory! Savior dear!" in The Church Hymnal Mitchell, Elizabeth Harcourt, née Rolls, daughter of John E. W. Rolls, of the Hendre, Monmouth, was b. Dec. 15, 1833, and married to F. J. Mitchell, of Llanfrechfa Grange, Caerleon, Monmouthshire, in 1860. Mrs. Mitchell's prose works, published by Masters, Hayes, and the Society from Promoting Christian Knowledge number about 20. Her poetical works are First Fruits, Wild Thyme, The Ballad of the Battle of Trafalgar. To Mrs. Brock's Children's Hymn Book, 1881, she contributed the following:— 1. As Hebrew children strewed their palms. Church Decorators. 2. In the desert all alone. St. John Baptist. 3. King of glory, Saviour dear. Martyrs. 4. Come to the Manger in Bethlehem. Christmas Carol. 5. Good news from the hills of Judea. Christmas Carol. To the Altar Hymnal, 1884, in addition to translations from the Latin (see Index of Authors and Translators), Mrs. Mitchell contributed the following original hymns:— 6. As Abel brought the lamb to Thee. Harvest. 7. Jesus, glorious Prince of angels. Processional for St, Michael and All Angels. 8. Lamb most holy, King most lowly. All Saints. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

F. A. Gore Ouseley

1825 - 1889 Person Name: Rev. Sir F. A. G. Ouseley, Mus. Doc. Composer of "[King of glory! Saviour dear]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/
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