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Text Identifier:"^judge_my_integrity_the_righteous_judge_t$"

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Judge My Integrity

Author: Anonymous Meter: 6.6.8.6 Appears in 6 hymnals First Line: Judge mine integrity Lyrics: 1. Judge mine integrity, The righteous judge Thou art; Prove me, O Lord, examine me, And try my inmost heart. 2. Thy mercy and Thy grace I love to contemplate; Thy paths of truth my footsteps trace, And wicked men I hate. 3. Clean hands, O Lord, I raise As I Thy altars seek, Where I may sing in grateful praise, And of Thy wonders speak. 4. O Lord, Thy house I love, Where glory dwells within; O keep my heart secure above All fellowship with sin. 5. Redeeming love and grace Bestow, O Lord, on me; Among Thy saints how blest my place Forever praising Thee. Used With Tune: ELIZABETH Text Sources: The Psalter (Pittsburgh: The United Presbyterian Board of Publication, 1912)

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ELIZABETH

Meter: 6.6.8.6 Appears in 4 hymnals Composer and/or Arranger: Ernest R. Kroeger Tune Key: A Flat Major Incipit: 55576 55112 2135 Used With Text: Integrity of Character
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BADEA

Appears in 72 hymnals Tune Sources: German melody Incipit: 55312 35432 21556 Used With Text: Judge my integrity
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[Judge my integrity]

Appears in 1 hymnal Composer and/or Arranger: Chas. H. Gabriel Used With Text: O Keep My Heart

Instances

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Integrity of Character

Hymnal: The Psalter #70 (1912) Meter: 6.6.8.6 First Line: Judge my integrity Lyrics: 1 Judge my integrity, The righteous judge Thou art; Prove me, O Lord, examine me. And try my inmost heart. 2 Thy mercy and Thy grace I love to contemplate; Thy paths of truth my footsteps trace, And wicked men I hate. 3 Clean hands, O Lord, I raise As I Thy altars seek, Where I may sing in grateful praise, And of Thy wonders speak. 4 O Lord, thy house I love, Where glory dwells within; O keep my heart secure above All fellowship with win. 5 Redeeming love and grace Bestow, O Lord, on me; Among Thy saints how blest my place, Forever praising Thee. Topics: Aspirations For Church Priveleges; Aspirations For Grace; Aspirations For Holiness; Christians Fellowship of; Church Beloved of Saints; Companions Evil; Faith Confession of; Faith Confidence of; Fidelity; God the judge; God Omniscience of; Gospel Gracious Fruit of; Gospel Preaching of; Gospel Privileges of; Grace Justifying; Heart Good, Perfect, Pure and Upright; Heart Searching of; House of God Longed for and Loved; Perseverance; Praise Part of Public Worship; Prayer For Deliverance from Enemies; Prayer Sincerity in; The Righteous Honor and Safety of; Salvation Prayers for; Self-Examination; Sin Washed away; Sincerity; Thanksgiving In Public Worship; Walking with God; The Wicked Separation from; Worship Acts of; Worship Grace Needed for; Worship public; Worship Sincerity in Scripture: Psalm 26 Languages: English Tune Title: ELIZABETH
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Judge My Integrity

Author: Anonymous Hymnal: The Cyber Hymnal #3467 Meter: 6.6.8.6 First Line: Judge mine integrity Lyrics: 1. Judge mine integrity, The righteous judge Thou art; Prove me, O Lord, examine me, And try my inmost heart. 2. Thy mercy and Thy grace I love to contemplate; Thy paths of truth my footsteps trace, And wicked men I hate. 3. Clean hands, O Lord, I raise As I Thy altars seek, Where I may sing in grateful praise, And of Thy wonders speak. 4. O Lord, Thy house I love, Where glory dwells within; O keep my heart secure above All fellowship with sin. 5. Redeeming love and grace Bestow, O Lord, on me; Among Thy saints how blest my place Forever praising Thee. Languages: English Tune Title: ELIZABETH

O keep my heart

Hymnal: Bible Songs #d72 (1924) First Line: Judge my integrity, the righteous Judge thou art Refrain First Line: O Lord, thy house I love Languages: English

People

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Anonymous

Author of "Judge My Integrity" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Chas. H. Gabriel

1856 - 1932 Composer of "[Judge my integrity]" in Bible Songs No. 4 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

Ernest R. Kroeger

1862 - 1934 Composer of "ELIZABETH" in The Psalter Born: August 10, 1862, St. Louis, Missouri. Died: April 7, 1934, St. Louis, Missouri. Buried: Bellefontaine Cemetery, St. Louis, Missouri. Kroeger was a charter member of the American Guild of Organists; member the National Institute of Arts of Letters; conductor of the Amphion Male Chorus in St. Louis (1883-84); organist at the Unitarian Church of the Messiah, St. Louis (1886); director of the College of Music at Forest Park University (1887); president of the Music Teachers’ National Association (1896-97); president of the Missouri State Music Teachers’ Association (1897-99); instrumental adjudicator at the annual Kansas Jubilee (1900-03); master of programs in the Bureau of Music at the St. Louis World’s Fair, 1904; adjudicator at the Welsh Eisteddfod in Canton, Ohio (1906); and director of the music department at Washington University, St. Louis (1925-34). He also ran the Kroeger School of Music in St. Louis (1904-34). --www.hymntime.com/tch/ ============ Successful American composer and teacher; born at St. Louis, Mo. He began studying violin and piano when he was five years old, and received his entire musical education in this country, principally in St. Louis, where he is located at present, and holds a prominent position as a teacher, pianist and composer. He is director of the College of Music at the Forest Park University for Women and is concert pianist of the Kroeger School of Music. Was president of the Music Teachers' National Association from 1895 to 1896, and of the Missouri State Music Teachers' Association from 1897 to 1899. Is a fellow of the American Guild of Organists and was master of programs of the Bureau of Music at the St. Louis Exposition in 1904. He has written a great many different kinds of music, and is one of a very few Americans who have published fugues. Mr. Kroeger says that some of his ideas are entirely musical, while others are attempts to illustrate poems in tones, such as his symphony, a suite, and overtures on Endymion, Thanatopis, Sardanapalus and Hiawatha. He has also published a very clever group of sonnets, on various themes; Twelve Concert Studies, which Hughes says "show the influence of Chopin upon a composer who writes with a strong German accent;" an etude, Castor and Pollux; a Romanze; and other studies. A Danse Negre and Caprice Negre resemble similar works of Gottschalk; and his Dance of the Elves is dedicated to Mme. Rive-King. --grandemusica.net/musical-biographies
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