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Text Identifier:"^judge_eternal_throned_in_splendor$"

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Judge Eternal, Throned In Splendor

Author: Henry Scott Holland Meter: 8.7.8.7.8.7 Appears in 110 hymnals

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KOMM, O KOMM DU GEIST DES LEBENS

Meter: 8.7.8.7.8.7 Appears in 102 hymnals Tune Sources: Neu-vermehrtes und zu Ubung Christl. Gottseligkeit eingerichtetes Meiningisches Gesangbuch, 1693 Tune Key: F Major Incipit: 31251 27567 11223 Used With Text: Judge eternal, throned in splendor
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TANTUM ERGO

Meter: 8.7.8.7.8.7 Appears in 250 hymnals Tune Sources: Melody from Samuel Webbe's Antiphon, 1792. Tune Key: G Major Incipit: 12345 43211 14321 Used With Text: Judge Eternal, throned in splendour
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PICARDY

Meter: 8.7.8.7.8.7 Appears in 250 hymnals Tune Sources: French Traditional Carol Incipit: 12345 54555 567 Used With Text: Judge Eternal, throned in splendour

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Judge Eternal, Throned in Splendor

Author: Henry Scott Holland Hymnal: The Hymnbook #517 (1955) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge eternal, throned in splendor, Lord of Lords and Kings of Kings, With Thy living fire of judgment Purge our land of bitter things: Solace all its wide dominion With the healing of Thy wings. 2 Still the weary folk are pining For the hour that brings release: And the city's crowded clangor Cries aloud for sin to cease; And the homesteads and the woodlands Plead in silence for their peace. 3 Crown, O God, Thine own endeavor: Cleave our darkness with Thy sword: Feed the faint and hungry people With the richness of Thy word: Cleanse the body of this nation Through the glory of the Lord. Amen. Topics: City, The; God Judge; Nation, The; Kingdom of God on Earth, The Nation, The Scripture: Psalm 72:4 Tune Title: RHUDDLAN
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Judge Eternal, Throned in Splendor

Author: Henry Scott Holland Hymnal: Glory to God #342 (2013) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge Eternal, throned in splendor, Lord of lords and King of kings, with your living fire of judgment purge this land of bitter things; solace all its wide dominion with the healing of your wings. 2 Still the weary folk are pining for the hour that brings release, and the city’s crowded clangor cries aloud for sin to cease, and the homesteads and the woodlands plead in silence for their peace. 3 Crown, O God, your own endeavor; cleave our darkness with your sword; feed the faithless and the hungry with the richness of your word; cleanse the body of this nation through the glory of the Lord. Topics: Christian Year Reign of Christ; Healing; Judgment; The Life of the Nations; World Peace Scripture: Psalm 72 Languages: English Tune Title: RHUDDLAN
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Judge Eternal, Throned in Splendor

Author: Henry S. Holland, 1847-1918 Hymnal: Lutheran Book of Worship #418 (1978) Meter: 8.7.8.7.8.7 Lyrics: 1 Judge eternal, throned in splendor, Lord of lords and King of kings, With your living fire of judgment Purge this land of bitter things; Solace all its wide dominion With the healing of your wings. 2 Still the weary folk are pining For the hour that brings release; And the city's crowded clangor Cries aloud for sin to cease; And the homesteads and the woodlands Plead in silence for their peace. 3 Crown, O God, thine own endeavor; Cleave our darkness with your sword; Feed the faint and hungry peoples With the richness of your Word; Cleanse the body of this nation Through the glory of the Lord. Topics: Society; Judgment; Nation; Society Languages: English Tune Title: RHUDDLAN

People

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Authors, composers, editors, etc.

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "REGENT SQUARE" in The Evangelical Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: Dr. H. J. Gauntlett, 1805-1876 Composer of "TRIUMPH" in Methodist Hymn and Tune Book Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Anonymous

Person Name: Anon. Composer of "ALLELUIA DULCE CARMEN" in Services for Congregational Worship. The New Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
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