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Jesus labet unsre Seelen

Appears in 4 hymnals Used With Tune: [Jesus labet unsre Seelen]

[Jesus labet unsre Seelen]

Appears in 4 hymnals Incipit: 35453 52235 54217 Used With Text: Jesus labet unsre Seelen

Instances

Published text-tune combinations (hymns) from specific hymnals

Jesus labet unsre Seelen

Hymnal: Gesangbuch der Bischöflichen Methodisten-Kirche #464 (1892) Languages: German Tune Title: [Jesus labet unsre Seelen]

Jesus labet unsre Seelen

Author: Unbekannt Hymnal: Gesangbuch der Bischöflichen Methodistenkirche #511 (1928) Languages: German Tune Title: [Jesus labet unsre Seelen]

Jesus labet unsre Seelen

Hymnal: Sammlung von geistlichen Liedern ... kirchlicher und haeuslichen Gottesdienst #d155 (1839)

Person Name: Unbekannt Author of "Jesus labet unsre Seelen" in Gesangbuch der Bischöflichen Methodistenkirche In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Dmitri Stepanovich Bortnianski

1751 - 1825 Person Name: Dimitri Bortnianski Composer of "[Jesus labet unsre Seelen]" in Gesangbuch der Bischöflichen Methodistenkirche Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry