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Text Identifier:"^jesucristo_descendio_de_los_cielos$"

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Nacimiento de Jesus

Author: Anonimo Appears in 11 hymnals First Line: Jesucristo descendió Used With Tune: ELACOMBE

Tunes

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ELACOMBE

Appears in 627 hymnals Tune Sources: St. Gall's Collection Tune Key: B Flat Major Incipit: 51765 13455 67122 Used With Text: Nacimiento de Jesus
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HOLLINGSIDE

Appears in 296 hymnals Composer and/or Arranger: J. B. Dykes Tune Key: E Flat Major Incipit: 35655 43176 53123 Used With Text: Jesucristo descendió
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NUN KOMM DER HEIDEN HEILAND

Meter: 7.7.7.7 Appears in 132 hymnals Composer and/or Arranger: Desconocido Tune Sources: Witemberg, 1524. Tune Key: g minor Incipit: 11732 12113 43453 Used With Text: Jesucristo descendió

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Jesucristo Descendió

Author: Pedro Castro, † h.1887 Hymnal: Cántico Nuevo #80 (1962) First Line: Jesucristo descendió De los cielos a Belén Languages: Spanish Tune Title: THANKSGIVING
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Jesucristo descendió

Author: Pedro Castro Hymnal: Culto Cristiano #20 (1964) Meter: 7.7.7.7 Lyrics: 1 Jesucristo descendió De los cielos a Belén; Nuestra paz allí nació, Nuestra dicha, luz y bien. 2 Ha nacido en el mesón El ungido celestial, En humilde condición, Hecho mísero mortal. 3 Por venir a padecer A los ángeles dejó, Y nacido de mujer, Con los hombres habitó. 4 Himnos mil a Dios cantad Por Jesús, el Salvador, Alabando su bonda; Sí, cantad su gran amor. Topics: El Año Cristiano Navidad; Christian Year Christmas Languages: Spanish Tune Title: NUN KOMM DER HEIDEN HEILAND
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Jesucristo descendió

Author: P. Castro Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #80 (1931) Languages: Spanish Tune Title: HOLLINGSIDE

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "HOLLINGSIDE" in El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Anonymous

Person Name: Anonimo Author of "Nacimiento de Jesus" in Himnario de la Iglesia Metodista Episcopal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Samuel Webbe

1740 - 1816 Person Name: S. Webbe Composer of "BENEVENTO" in El Himnario Evangelico Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
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