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[I've found a joy in sorrow]
Appears in 10 hymnals Composer and/or Arranger: W. J. Kirkpatrick Incipit: 55116 65551 11555 Used With Text: Jesus, My Joy
[I've found a joy in sorrow]
[I've found a joy in sorrow]
Appears in 1 hymnal Composer and/or Arranger: J. H. Tenney Incipit: 53333 33311 11222 Used With Text: I've Found a Joy in Sorrow
[I've found a joy in sorrow]
I've Found a Joy in Sorrow
Author: Mrs. Jane Crewdson Hymnal: Good Tidings #B5 (1885) Languages: English Tune Title: [I've found a joy in sorrow]
I've Found a Joy in Sorrow
I've Found a Joy in Sorrow
Author: J. Crewdson Hymnal: Hymns of Consecration and Faith #252 (1902) Languages: English Tune Title: [I've found a joy in sorrow]
I've Found a Joy in Sorrow
Jesus, my Joy
Author: Mrs. J. F. Crewdson Hymnal: Beulah Songs #27 (1879) First Line: I've found a joy in sorrow Refrain First Line: 'Tis Jesus, my portion forever Lyrics: 1 I’ve found a joy in sorrow,
A secret balm for pain,
A beautiful tomorrow
Of sunshine after rain;
Refrain:
'Tis Jesus, my portion forever,
'Tis Jesus, the First and the Last;
A help very present in trouble,
A shelter from every blast.
2 I’ve found a branch of healing
Near every bitter spring;
A whispered promise stealing
O’er every broken string. [Refrain]
3 I’ve found a glad hosanna
For every woe and wail;
A handful of sweet manna
when grapes of Eschol fail. [Refrain]
4 I’ve found a Rock of Ages
When desert wells are dry;
And, after weary stages,
I’ve found an Elim nigh. [Refrain]
5 An Elim with its coolness,
Its fountains, and its shade;
A blessing in its fullness,
When buds of promise fade. [Refrain]
6 O’er tears of soft contrition
I’ve seen a rainbow light,
A glory and fruition,
So near! yet out of sight. [Refrain] Languages: English Tune Title: [I've found a joy in sorrow]
Jesus, my Joy
Samuel Sebastian Wesley
1810 - 1876 Person Name: S. S. Wesley Composer of "AURELIA" in Song-Hymnal of Praise and Joy Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
Ira David Sankey
1840 - 1908 Person Name: Ira David Sankey, 1840-1908 Composer of "CREWDSON" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
William J. Kirkpatrick
1838 - 1921 Person Name: W. J. Kirkpatrick Composer of "[I've found a joy in sorrow]" in Beulah Songs William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia.
Bert Polman
William J. Kirkpatrick
