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In the morning I will raise
Author: William H. Furness, 1802-1896 Appears in 16 hymnals Used With Tune: UNIVERSITY COLLEGE
In the morning I will raise
UNIVERSITY COLLEGE
Appears in 170 hymnals Composer and/or Arranger: Henry J. Gauntlett, 1805-1876 Incipit: 31654 32315 55453 Used With Text: In the morning I will raise
UNIVERSITY COLLEGE
[In the morning I will raise]
Appears in 2 hymnals Composer and/or Arranger: Eric Werner Tune Key: F Major Incipit: 12315 32345 3165 Used With Text: In the Morning I Will Raise
[In the morning I will raise]
In the Morning I Will Raise
Author: William H. Furness Hymnal: Union Songster #7 (1960) Topics: General Hymns and Songs Tune Title: [In the morning I will raise]
In the Morning I Will Raise
In the morning I will raise
Author: W. H. Furness Hymnal: The Concord Hymnal #80 (1923) Languages: English Tune Title: [In the morning I will raise]
In the morning I will raise
In the Morning I Will Raise
Author: William H. Furness Hymnal: The Cyber Hymnal #3113 Meter: 7.7.7.7 Lyrics: 1. In the morning I will raise
To my God the voice of praise;
With His kind protection blest,
Sweet and deep has been my rest.
2. In the morning I will pray
For His blessing on the day;
What this day shall be my lot,
Light or darkness, I know not.
3. Should it be with clouds o’ercast,
Clouds of sorrow gathering fast,
Thou, who givest light divine,
Shine with me, Lord, O shine.
4. Show me, if I tempted be,
How to find all strength in Thee,
And a perfect triumph win
Over every bosom sin.
5. Keep my feet from secret snares,
Keep my eyes, O God, from tears,
Every step Thy grace attend,
And my soul from death defend.
6. Then when fall the shades of night,
All within shall still be light;
Thou wilt peace around diffuse,
Gently as the evening dews. Languages: English Tune Title: FERRIER
In the Morning I Will Raise
Henry J. Gauntlett
1805 - 1876 Person Name: Henry J. Gauntlett, 1805-1876 Composer of "UNIVERSITY COLLEGE" in Hymns for Schools and Colleges Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
John Bacchus Dykes
1823 - 1876 Composer of "FERRIER" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Dalrymple Maclagan
1826 - 1910 Person Name: William D. MacLagan Composer of "[PALMS OF GLORY]" in The Hymnal Maclagan, William Dalrymple , D.D., son of David Maclagan, M.D., was born in Edinburgh, June 18, 1826. In early life he entered the army, and served for some time in India. Retiring with the rank of lieutenant, he entered St. Peter's College, Cambridge, where he graduated B.A. 1856 and M.A. in 1860. Taking Holy Orders, he was curate of St. Saviour's, Paddington, 1856-58, and St. Stephen's, Marylebone, 1858-60. He then became Secretary to the London Diocesan Church Building Society, from 1860 to 1865; curate of Enfield, 1865-69; Rector of Newington, 1869-75; and Vicar of Kensington, 1875-78. He was also Hon. Chaplain to the Queen, and Prebendary of Reculverland in St. Paul's Cathedral, London. In 1878 he was consecrated Bishop of Lichfield. Bishop Maclagan's work has been mainly of a practical character, and his publications are few. The few hymns which he has written have been received with great favour, and create a desire for more of the same kind and quality. The following are in common use.:—
1. Again the trumpet sounds. Missions. Written about 1870. Appeared in the Hymns Ancient & Modern Hymns Ancient & Modern series of Hymns for Mission Services. 1871.
2. Be still, my soul, for God is near. Holy Communion. Part ii. is “O Body, broken for my sake." Written about 1873 for St. Mary's, Newington. In Thring's Collection, 1882.
3. Holy Spirit, Lord of love. Confirmation. Written about 1873, and published in Mrs. C. Brock's Children's Hymn Book, 1884.
4. It is finished, blessed Jesus [Saviour]. Good Friday. Written for Hymns Ancient & Modern, 1875. In several collections.
5. Lord, when Thy Kingdom comes, remember me. Good Friday. Written for the 1875 ed. of Hymns Ancient & Modern. Sometimes given in two parts: Pt. ii. Beginning, “Lord, when with dying lips my prayer is said."
6. The Saints of God their conflict past. All Saints. First published in Church Bells, 1870; and again in the Society for Promoting Christian Knowledge Church Hymns, 1871.
7. What thanks and praise to Thee we owe. St. Luke. Written for the 1875 edition of Hymns Ancient & Modern
These hymns are of more than usual merit, being characterized by great simplicity, tenderness, and fervour. The special season or purpose is clearly indicated, and its lessons earnestly enforced.
-- John Julian, Dictionary of Hymnology (1907)
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Maclagan, Abp. W. D., pp. 709, i.; 1578, ii. At the present time all Abp. Maclagan's hymns are in common use, and most of his tunes likewise. With regard to the latter, it is exceptional to find so many tunes by the author of popular hymns sharing the same popularity in the principal hymnals. In Church Hymnal, 1903, and Hymns Ancient & Modern, 1904, combined, there are eight of his tunes, whilst the hymns are six in all.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Dalrymple Maclagan
