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إكليله مضفور

Appears in 7 hymnals Used With Tune: [إكليله مضفور]

[إكليله مضفور]

Appears in 554 hymnals Incipit: 51765 45233 2121 Used With Text: إكليله مضفور

Instances

Published text-tune combinations (hymns) from specific hymnals

Author: جورج خوري Hymnal: ترانيم الإيمان #51 (1990) Lyrics: 1 - إكليلُهُ مَضفورٌ بالشوكِ مِن أجلي يُدمَى به جبينٌ فاقَ سنا النُّبْلِ قد وضَعَتْه أيدٍ أثيمةٌ للعارْ تاجاً لرأسِ الفادي ربِّ السماءِ البارْ 2 – بالعار ترضى طوعاً وألمِ الصليبْ دِماك تجري طُهراً للصفحِ يا حبيبْ آلامُك العظيمَهْ تُخَففُ الأثقالْ وروحُك الرحيمَهْ تُحيي بنا الآمالْ 3 - تحت الصليب أجثو لأرفعَ الصلاهْ مخلصي فداني بسفكِهِ دِماهْ يسوعُ قد هداني في ظلمةِ الوُجودْ بصلبِهِ أحياني ففُزتُ بالخلودْ Languages: Arabic Tune Title: [إكليله مضفور]

إكليله مضفور

Author: جورج خوري Hymnal: اصنع بنا نهضتك #73 (2013) First Line: إكليله مضفور بالشوك من أجلي Languages: Arabic

إكليله مضفور

Hymnal: ترانيم مسيحية #79 Lyrics: 1 - إكليلُهُ مَضفورٌ بالشوكِ مِن أجلي يُدمَى به جبينٌ فاقَ سنا النُّبْلِ قد وضَعَتْه أيدٍ أثيمةٌ للعارْ تاجاً لرأسِ الفادي ربِّ السماءِ البارْ 2 - قُواك تفنى حُزناً بألمِ الصليبْ دِماك تجري طُهراً للصفحِ يا حبيبْ آلامُك العظيمَهْ تُخَففُ الأثقالْ وروحُك الرحيمَهْ تُحيي بنا الآمالْ 3 - تحت الصليب أجثو لأرفعَ الصلاهْ مخلصي فداني بسفكِهِ دِماهْ يسوعُ قد هداني في ظلمةِ الوُجودْ بصلبِهِ أحياني ففُزتُ بالخلودْ Languages: Arabic

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People

Authors, composers, editors, etc.

Johann Sebastian Bach

1685 - 1750 Person Name: ج. س. باخ Composer of "[إكليله مضفور]" in ترانيم الإيمان Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

James W. Alexander

1804 - 1859 Person Name: James W. Alexander Author of "إكليله مضفور" James W. Alexander (b. Hopewell, Louisa County, VA, 1804; d. Sweetsprings, VA, 1859) was often overshadowed by his father, the renowned Archibald Alexander, first professor at Princeton Theological Seminary. But James Alexander was also a fine preacher, teacher, and writer. He studied at New Jersey College (now Princeton University) and Princeton Seminary. Ordained in the Presbyterian Church, he alternated his career between teaching and pastoring; for two years (1849-1851) he was professor of ecclesiastical history and church government at Princeton Seminary. Alexander translated a number of hymns from Greek, Latin, and German but is mainly known today for his translation of "O Sacred Head." Bert Polman ===================== Alexander, James Waddell, D.D., son of Archibald Alexander, D.D., b. at Hopewell, Louisa, county of Virginia, 13 Mar., 1804, graduated at Princeton, 1820, and was successively Professor of Rhetoric at Princeton, 1833; Pastor of Duane Street Presbyterian Church, New York, 1844; Professor of Church History, Princeton, 1849; and Pastor of 5th Avenue Presbyterian Church, New York, 1851; d. at Sweetsprings, Virginia, July 31, 1859. His works include Gift to the Afflicted, Thoughts on Family Worship, and others. His Letters were published by the Rev. Dr. Hall, in 2 vols., some time after his death, and his translations were collected and published at New York in 1861, under the title, The Breaking Crucible and other Translations. Of these translations the following are in use: O Sacred Head, now wounded” a translation of "Salve Caput," through the German; "Near the cross was Mary weeping," a translation of "Stabat Mater"; and "Jesus, how sweet Thy memory is," a translation of "dulcis memoria." The annotations of these translations are given under their respective Latin first lines. --John Julian, Dictionary of Hymnology (1907)