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Text Identifier:"^i_will_bless_you_day_after_day$"

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Psalm 145: The Lord Is Near

Appears in 3 hymnals First Line: I will bless you day after day Refrain First Line: The Lord is near Topics: 17th Sunday in Ordinaty Time Year B; 18th Sunday in Ordinary Time Year A; 25th Sunday in Ordinary Time Year A; Blessing; Comfort; Compassion; Creation; Easter Season; Eucharist; Food; Holy Name; Interfaith; Love of God for Us; Marriage; Praise; Security; Sunday Scripture: Psalm 145:2-3 Used With Tune: [The Lord is near] Text Sources: Antiphon: Lectionary for Mass; Psalm: The Grail

Tunes

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Tune authorities

[I will bless you day after day]

Appears in 1 hymnal Composer and/or Arranger: Carl MaultsBy Tune Key: D Major Incipit: 13556 54535 76 Used With Text: Psalm 145: I Will Praise Your Name for Ever

[The hand of the Lord feeds us]

Appears in 3 hymnals Composer and/or Arranger: Columba Kelly, OSB; Douglas Mews; Joseph Gelineau, SJ Tune Key: B Flat Major Incipit: 52132 Used With Text: Psalm 145: The Lord Is Near

[The Lord is near]

Appears in 1 hymnal Composer and/or Arranger: Robert J. Batastini; Douglas Mews; Joseph Gelineau, SJ Tune Key: B Flat Major Used With Text: Psalm 145: The Lord Is Near

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Psalm 145: I Will Praise Your Name for Ever

Hymnal: One Lord, One Faith, One Baptism #693 (2018) First Line: I will bless you day after day Refrain First Line: I will praise your name for ever Topics: Service Music Psalms and Canticles; Compassion of God; Goodness of God; Love Of God; Mercy of God; Service Music Psalms and Canticles Languages: English Tune Title: [I will bless you day after day]

Psalm 145: The Lord Is Near

Hymnal: RitualSong #191a (1996) First Line: I will bless you day after day Refrain First Line: The Lord is near Topics: 17th Sunday in Ordinaty Time Year B; 18th Sunday in Ordinary Time Year A; 25th Sunday in Ordinary Time Year A; Blessing; Comfort; Compassion; Creation; Easter Season; Eucharist; Food; Holy Name; Interfaith; Love of God for Us; Marriage; Praise; Security; Sunday Scripture: Psalm 145:2-3 Languages: English Tune Title: [The Lord is near]
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Psalm 145: The Lord Is Near

Hymnal: RitualSong #191b (1996) First Line: I will bless you day after day Refrain First Line: The hand of the Lord feeds us Topics: 17th Sunday in Ordinaty Time Year B; 18th Sunday in Ordinary Time Year A; 25th Sunday in Ordinary Time Year A; Blessing; Comfort; Compassion; Creation; Easter Season; Eucharist; Food; Holy Name; Interfaith; Love of God for Us; Marriage; Praise; Security; Sunday Scripture: Psalm 145:2-3 Languages: English Tune Title: [The hand of the Lord feeds us]

People

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Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[The hand of the Lord feeds us]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Robert J. Batastini

b. 1942 Composer (antiphon) of "[The Lord is near]" in RitualSong Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong. In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada. In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI. Nancy Naber, from www.giamusic.com/bios/

Douglas Mews

1918 - 1993 Composer (psalm tone) of "[The Lord is near]" in RitualSong
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