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Taste and see the goodness of the Lord

Appears in 14 hymnals First Line: I will bless the Lord at all times Topics: Adoration and praise; Compassion; Eucharist; Fear; Protection; Saints Days and Holy Days St Michael and All Angels; Salvation; Trust in God; Worship Gathering Scripture: Psalm 34:1-16 Used With Tune: PSALM 34 Text Sources: Tr.: The Psalms, A New Translation, 1989

Tunes

Tune authorities

[I will bless the Lord at all times]

Appears in 3 hymnals Composer and/or Arranger: DRH Tune Key: B Flat Major Incipit: 55611 32156 11715 Used With Text: The Lord hears the cry of the poor

[I will bless the Lord at all times]

Appears in 4 hymnals Composer and/or Arranger: CWk Tune Key: D Major Incipit: 57756 54355 31732 Used With Text: Taste and see the goodness of the Lord

PSALM 34

Meter: Irregular Appears in 1 hymnal Composer and/or Arranger: Michael Alfred Mann 1929- Tune Key: a minor or modal Incipit: 11716 71334 3 Used With Text: Taste and see that the Lord is good

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Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 34: Taste and See

Hymnal: Journeysongs (2nd ed.) #38 (2003) First Line: I will bless the Lord at all times Refrain First Line: Taste and see the goodness of the Lord Topics: Care of the Sick; Refuge; Lent 4 Year C; Care of the Sick; Refuge; Lent 4 Year C; Care of the Sick; Refuge; Lent 4 Year C; Ordinary Time Common Psalm; Fifth Ordinary Year A; Eighteenth Ordinary Year B; Nineteenth Ordinary Year B; Twentieth Ordinary Year B; Twenty-First Ordinary Year B; St. Peter and Paul, Apostles: Day (June 29); Service Music for Mass: Liturgy of the Word Responsorial Psalm; Service Music for Mass: Liturgy of the Eucharist Communion Song; Sunday Celebrations in the Absence of a Priest Responsorial Psalm Scripture: Psalm 34:2-9 Languages: English Tune Title: [I will bless the Lord at all times]

Psalm 34: Taste and See

Hymnal: Journeysongs (3rd ed.) #40 (2012) First Line: I will bless the Lord at all times Refrain First Line: Taste and see the goodness of the Lord Topics: Care of the Sick; Eighteenth Ordinary Year B; Fifth Ordinary Year A; Lent 4 Year C; Ordinary Time Common Psalm; Refuge; Rites of the Church Marriage; Rites of the Church Rite of Anointing (Care of the Sick); Saints Peter and Paul, Apostles (June 29) At the Mass During the Day; Service Music for Mass Communion Song; Service Music for Mass Responsorial Psalm; Sunday Celebrations in the Absence of a Priest Communion Song; Sunday Celebrations in the Absence of a Priest Responsorial Psalm; The Liturgical Year The Most Sacred Heart of Jesus; Twelfth Ordinary Year A; Twentieth Ordinary Year B; Twenty-First Ordinary Year B; Twenty-Second Ordinary Year C Scripture: Psalm 34:2-9 Languages: English Tune Title: [I will bless the Lord at all times]

Taste and see the goodness of the Lord

Hymnal: Catholic Book of Worship III #173 (1994) First Line: I will bless the Lord at all times Topics: Blessing; Eucharistic Celebration (Mass) Responsorial Psalms; Feast; Praise; Sacraments/Rites Rite of Acceptance into the Order of Catechumens; Sacraments/Rites Baptism; Sacraments/Rites Anointing of the Sick; Sacraments/Rites Marriage Scripture: Psalm 34 Languages: English Tune Title: [I will bless the Lord at all times]

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People

Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: JG Composer (Gelineau tone) of "[Taste and see the goodness of the Lord]" in Worship (3rd ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Richard Proulx

1937 - 2010 Person Name: RP Composer of "[Taste and see the goodness of the Lord]" in Worship (3rd ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman