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Text Identifier:"^i_waited_patient_for_the_lord$"

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I Waited Patient for the Lord

Author: Isaac Watts Meter: 8.6.8.6 Appears in 108 hymnals Lyrics: 1. I waited patient for the Lord, He bowed to hear my cry; He saw me resting on His Word, And brought salvation nigh. 2. He raised me from a horrid pit, Where mourning long I lay, And from my bonds released my feet, Deep bonds of miry clay. 3. Firm on a rock He made me stand, And taught my cheerful tongue To praise the wonders of His hand, In a new thankful song. 4. I’ll spread His works of grace abroad; The saints with joy shall hear, And sinners learn to make my God Their only hope and fear. 5. How many are Thy thoughts of love! Thy mercies, Lord, how great! We have not words nor hours enough Their numbers to repeat. 6. When I’m afflicted, poor, and low, And light and peace depart, My God beholds my heavy woe, And bears me on His heart. Used With Tune: CADDO Text Sources: The Psalms of David, 1719

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CORINTH

Appears in 20 hymnals Incipit: 13555 65555 32222 Used With Text: Deliverance from deep Distress
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[I waited patient for the Lord]

Appears in 1 hymnal Composer and/or Arranger: Wm. Rosborough Used With Text: Jesus Will Save You Now
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SALZBURGH

Appears in 84 hymnals Composer and/or Arranger: M. Haydn Tune Key: F Major or modal Incipit: 13554 3321 Used With Text: I waited patient for the Lord

Instances

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I Waited Patient for the Lord

Author: Isaac Watts Hymnal: The Cyber Hymnal #3146 Meter: 8.6.8.6 Lyrics: 1. I waited patient for the Lord, He bowed to hear my cry; He saw me resting on His Word, And brought salvation nigh. 2. He raised me from a horrid pit, Where mourning long I lay, And from my bonds released my feet, Deep bonds of miry clay. 3. Firm on a rock He made me stand, And taught my cheerful tongue To praise the wonders of His hand, In a new thankful song. 4. I’ll spread His works of grace abroad; The saints with joy shall hear, And sinners learn to make my God Their only hope and fear. 5. How many are Thy thoughts of love! Thy mercies, Lord, how great! We have not words nor hours enough Their numbers to repeat. 6. When I’m afflicted, poor, and low, And light and peace depart, My God beholds my heavy woe, And bears me on His heart. Languages: English Tune Title: CADDO
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I Waited Patient for the LORD

Author: Isaac Watts Hymnal: Psalms of Grace #40a (2022) Scripture: Psalm 40 Languages: English
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I Waited patient for the Lord

Hymnal: Church Hymn Book #P.XL.I (1816) Meter: 8.6.8.6 Lyrics: 1 I Waited patient for the Lord, He bow'd to hear my cry; He saw me resting on his word, And brought salvation nigh. 2 He rais'd me from a horrid pit, Where mourning long I lay, And from my bonds releas'd my feet, Deep bonds of miry clay. 3 Firm on a rock he made me stand, And taught my cheerful tongue To praise the wonders of his hand, In a new thankful song. 4 I’ll spread His works of grace abroad; The saints with joy shall hear, And sinners learn to make my God Their only hope and fear. 5 How many are thy thoughts of love; Thy mercies, Lord, how great! We have not words nor hours enough Their numbers to repeat. 6 When I’m afflicted, poor and low, And light and peace depart, My God beholds my heavy woe, And bears me on his heart. Topics: A Song of Deliverance from great Distress Scripture: Psalm 40:1-6 Languages: English

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William B. Bradbury

1816 - 1868 Person Name: William Bachelder Bradbury Composer of "CADDO" in The Cyber Hymnal William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Michael Haydn

1737 - 1806 Person Name: M. Haydn Composer of "SALZBURGH" in The National Baptist Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

William Rosborough

Person Name: Wm. Rosborough Composer of "[I waited patient for the Lord]" in Celestial Showers No. 1, a collection of gospel songs used in Rev. I. Toliver's Meetings