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How Wonderful the Three-in-One
Author: Brian Wren, b. 1936 Meter: 8.8.8.8 Appears in 10 hymnals Topics: Love of God for Us; Trinity Used With Tune: OLD HUNDREDTH
How Wonderful the Three-in-One
OLD HUNDREDTH
Meter: 8.8.8.8 Appears in 2,017 hymnals Composer and/or Arranger: Louis Bourgeois, c.1510-1561 Tune Key: G Major or modal Incipit: 11765 12333 32143 Used With Text: How Wonderful the Three-in-One
OLD HUNDREDTH
ROCKINGHAM
Meter: 8.8.8.8 Appears in 524 hymnals Composer and/or Arranger: Edward Miller, 1735-1807 Tune Key: D Major Incipit: 13421 35655 17655 Used With Text: How Wonderful the Three-in-One
ROCKINGHAM
PUER NOBIS
Meter: 8.8.8.8 Appears in 221 hymnals Composer and/or Arranger: Michael Praetorius, 1571-1621; George R. Woodward, 1848-1934 Tune Sources: Trier Ms., 15th cent. Tune Key: C Major Incipit: 11234 32115 55671 Used With Text: How Wonderful the Three-in-One
PUER NOBIS
How Wonderful the Three-in-One
Author: Brian Wren, b. 1936 Hymnal: One Lord, One Faith, One Baptism #360 (2018) Meter: 8.8.8.8 Lyrics: 1 How wonderful the Three-in-One,
Whose energies of dancing light
Are undivided, pure and good,
Communing love in shared delight.
2 Before the flow of dawn and dark,
Creation's Lover dreamed of earth,
And with a caring deep and wise,
All things conceived and brought to birth.
3 The Lover's own Belov'd, in time,
Between a cradle and a cross,
At home in flesh, gave love and life
To heal our brokenness and loss.
4 Their Equal Friend all life sustains
With greening pow'r and loving care,
And calls us, born again by grace,
In Love's communing life to share.
5 How wonderful the Living God:
Divine Belov'd Empow'ring Friend,
Eternal Lover, Three-in-One,
Our hope's beginning, way and end. Topics: The Celebration of the Gospel Story The Trinity; Creation and Nature; Person of Holy Spirit; Holy Spirit Sustainer; Jesus Christ Redemptive work; Trinity Languages: English Tune Title: ROCKINGHAM
How Wonderful the Three-in-One
How Wonderful the Three-in-One
Author: Brian Wren, b. 1936 Hymnal: Journeysongs (3rd ed.) #449 (2012) Meter: 8.8.8.8 Lyrics: 1 How wonderful the Three-in-One,
Whose energies of dancing light
Are undivided, pure and good,
Communing love in shared delight.
2 Before the flow of dawn and dark,
Creation's Lover dreamed of earth,
And with a caring deep and wise,
All things conceived and brought to birth.
3 The Lover's own Belov'd, in time,
Between a cradle and a cross,
At home in flesh, gave love and life
To heal our brokenness and loss.
4 Their Equal Friend all life sustains
With greening pow'r and loving care,
And calls us, born again by grace,
In Love's communing life to share.
5 How wonderful the Living God:
Divine Belov'd, Empow'ring Friend,
Eternal Lover, Three-in-One,
Our hope's beginning, way and end. Topics: Creation; Morning Prayer Hymn; Praise; Service Music for Mass Entrance Song (Gathering of Processional); The Liturgical Year The Most Holy Trinity Languages: English Tune Title: CONDITOR ALME SIDERUM
How Wonderful the Three-in-One
How Wonderful the Three-in-One
Author: Brian Wren, b. 1936 Hymnal: Journeysongs (2nd ed.) #470 (2003) Meter: 8.8.8.8 Lyrics: 1 How wonderful the Three-in-One,
Whose energies of dancing light
Are undivided, pure and good,
Communing love in shared delight.
2 Before the flow of dawn and dark,
Creation's Lover dreamed of earth,
And with a caring deep and wise,
All things conceived and brought to birth.
3 The Lover's own Belov'd, in time,
Between a cradle and a cross,
At home in flesh, gave love and life
To heal our brokenness and loss.
4 Their Equal Friend all life sustains
With greening pow'r and loving care,
And calls us, born again by grace,
In Love's communing life to share.
5 How wonderful the Living God:
Divine Belov'd Empow'ring Friend,
Eternal Lover, Three-in-One,
Our hope's beginning, way and end. Topics: Creation; Praise; Creation; Praise; Creation; Praise; Service Music for Mass: Introductory Rites Entrance Song; Sunday Celebrations in the Absence of a Priest Entrance Song Languages: English Tune Title: PROSPECT
How Wonderful the Three-in-One
Edward Miller
1735 - 1807 Person Name: Edward Miller, 1735-1807 Adapter of "ROCKINGHAM" in Worship (4th ed.) Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map.
John Perry
Edward Miller
Michael Praetorius
1571 - 1621 Person Name: Michael Praetorius, 1571-1621 Composer of "PUER NOBIS" in One in Faith Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appointed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time.
Bert Polman
Michael Praetorius
Marty Haugen
b. 1950 Person Name: Marty Haugen, b. 1950 Arranger of "PROSPECT" in Gather Comprehensive Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world.
Emily Brink
Marty Haugen
