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How sweet [sweetly] upon this sacred day
Author: Eliza Lee Follen Appears in 37 hymnals Used With Tune: ST. PETER
How sweet [sweetly] upon this sacred day
ELIZABETHTOWN
Appears in 105 hymnals Composer and/or Arranger: Kingsley Tune Key: E Flat Major Incipit: 33335 31221 11232 Used With Text: How Sweet!
ELIZABETHTOWN
How Sweet Upon This Sacred Day
Author: Mrs. Follen Hymnal: The Church Hymnal #458 (1941) Meter: 8.6.8.6 Topics: The Church and Doctrines The Sabbath Languages: English Tune Title: ELIZABETHTOWN
How Sweet Upon This Sacred Day
How sweet upon this sacred day
Author: Mrs. Follen Hymnal: The Seventh-Day Adventist Hymn and Tune Book #230 (1886) Lyrics: 1 How sweet upon this sacred day,
The best of all the seven,
To cast our earthly thoughts away,
And think of God and heaven!
2 How sweet to be allowed to pray,
Our sins may be forgiven!
With filial confidence to say,
"Father, who art in heaven!"
3 How sweet the words of peace to hear
From him to whom 'tis given
To wake the penitential tear,
And lead the way to heaven!
4 And if to make our sins depart,
In vain the will has striven,
He who regards the inmost heart
Will send his grace from heaven. Topics: Worship The Sabbath Tune Title: ELIZABETHTOWN
How sweet upon this sacred day
How sweet upon this sacred day
Hymnal: Hymns and Tunes #83 (1876) Languages: English
How sweet upon this sacred day
Alexander Robert Reinagle
1799 - 1877 Person Name: A. R. Reinagle Composer of "ST. PETER" in The National Baptist Hymnal Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington.
John Perry
Alexander Robert Reinagle
Eliza Lee Cabot Follen
1787 - 1860 Person Name: Eliza Lee Follen Author of "How sweet [sweetly] upon this sacred day" in The National Baptist Hymnal Follen, Eliza Lee, née Cabot, a well-known Unitarian writer, daughter of Samuel Cabot, born at Boston, August 15, 1787, and married, in 1828, to Professor Charles Follen, who perished on board the "Lexington," which was burnt on Long Island Sound, Jan. 13,1840. Mrs. Follen died at Brookline, Mass., 1860. She was a voluminous writer. Her Poems were first published at Boston (Crosby & Co.), 1839, and whilst she was in England she issued another volume for children's use, entitled The Lark and the Linnet, in 1854. Both volumes also contain some translations from the German, and versions of a few Psalms.
Her best known hymns are:—
1. How sweet to be allowed to pray. Resignation. Appeared in the Christian Disciple, Sept., 1818, and in her Poems, 1839, p. 116, in 4 stanzas of 4 lines, and entitled, "Thy will be done."
2. How sweet upon this sacred day. Sunday. In her Poems, 1839, pp. 113-114, in 6 stanzas of 4 lines, and entitled “ Sabbath Day.” It previously appeared in Sabbath Recreations, 1829.
3. Lord, deliver, Thou canst save. Prayer for the Slave. Found in Songs of the Free, 1836; but is not given in her Poems, 1839. In Adams and Chapin's Hymns for Christian Devotion, Boston, U.S., 1846, it is No. 802, in 5 stanzas of 4 lines. In common with No. 2 it has found acceptance out¬side Unitarian Collections.
4. God, Thou art good, each perfumed flower. This is the original of J. H. Gurney's hymn," Yes, God is good," &c. (q.v.) There is some obscurity about the text. It is found in her Hymns for Children, Boston, 1825, beginning, "God is good," each perfumed flower," and this obvious misprint (which destroys the metre) was usually copied in later books. It is also given with the same first line as an original piece, never before published, and signed "E. L. C." (initials of Mrs. Follen's maiden name), in Emily Taylor's Sabbath Recreations, Wellington, Salop, 1826, p. 203. This suggests that it was printed in the American book after the US. was posted to England. Mrs. Follen may have written at first “Yes, God is good," but this cannot now be determined. It begins, “God, Thou art good," &c, in her Poems, 1839, p. 119, and in her verses, The Lark and the Linnet, &c, 1854, and in each case is in 6 stanzas of 4 lines, with the title, "God is Good."
5. Will God, Who made the earth and sea. A Child's Prayer. Given in her Poems, 1839, p. 164, in 7 stanzas of 4 lines. In Dr. Allon's Children's Worship, 1878, No. 212, it is abbreviated to 4 stanzas (i.-iv.), and attributed to H. Bateman in error. [Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Eliza Lee Cabot Follen
George Kingsley
1811 - 1884 Person Name: George Kingsley (1811-1884) Composer of "ELIZABETHTOWN" in The Church Hymnal Born: July 7, 1811, Northampton, Massachusetts.
Died: March 14, 1884, Northampton, Massachusetts.
Kingsley played the organ at the Old South Church and Hollis Street Church in Boston, Massachusetts. He also taught music at Girard College in Philadelphia, Pennsylvania, served as music supervisor for public schools in Philadelphia, and compiled a number of music books, including:
Sunday School Singing Book, 1832
The Harmonist, 1833
The Social Choir, 1836
The Sacred Choir, 1838
The Harp of David, 1844
The Young Ladies’ Harp, 1847
Templi Carmina (Northampton, Massachusetts: 1853)
The Juvenile Choir, 1865
--www.hymntime.com/tch
George Kingsley
