Thanks for being a Hymnary.org user. You are one of more than 10 million people from 200-plus countries around the world who have benefitted from the Hymnary website in 2024! If you feel moved to support our work today with a gift of any amount and a word of encouragement, we would be grateful.

You can donate online at our secure giving site.

Or, if you'd like to make a gift by check, please make it out to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton Street SE, Grand Rapids, MI 49546
And may the promise of Advent be yours this day and always.

Search Results

Text Identifier:"^how_sweet_the_voice_that_calls_you_home$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Come While You May

Author: H. Leo Boles Appears in 3 hymnals First Line: How sweet the voice that calls you home Refrain First Line: Come while you may, O, come today!

Tunes

tune icon
Tune authorities
Audio

REDEMPTION GROUND

Appears in 13 hymnals Composer and/or Arranger: James McGranahan Tune Key: G Major or modal Incipit: 55317 76666 41665 Used With Text: Come While You May

[How sweet the voice that calls you home]

Meter: 8.8.8.8 D Appears in 1 hymnal Composer and/or Arranger: W. D. Jeffcoat, 1929- Tune Key: G Major Incipit: 51231 72113 45324 Used With Text: How Sweet the Voice That Calls

[How sweet the voice that calls you home]

Appears in 1 hymnal Composer and/or Arranger: Flavil Hall Tune Key: G Flat Major Used With Text: Come While You May

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

How Sweet the Voice That Calls

Author: H. Leo Boles, 1874-1946; W. D. Jeffcoat Hymnal: Sacred Songs of the Church #432 (2007) Meter: 8.8.8.8 D First Line: How sweet the voice that calls you home Tune Title: [How sweet the voice that calls you home]

Come While You May

Author: H. Leo Boles Hymnal: Precious Praises #91 (1975) First Line: How sweet the voice that calls you home Tune Title: [How sweet the voice that calls you home]
TextAudio

Come While You May

Author: H. Leo Boles Hymnal: The Cyber Hymnal #13292 First Line: How sweet the voice that calls you home Refrain First Line: Come while you may, O, come today! Lyrics: 1 How sweet the voice that calls you home, That bids you to the Savior come; His love and peace accept today, Oh, come to Him now while you may! Refrain: Come while you may, O, come today! Come, while inclined by love divine; For Jesus waits at Heaven’s gate, You to embrace with love and grace. 2 How tenderly the Master pleads, O, then His love and truth I’ll heed! How sad for me now to reject, His pardon I will not neglect. [Refrain] 3 How often I have turned my heart; With hope I will from sin depart, For Jesus loves me still, I know, I now in faith repent and go. [Refrain] 4 I will not be enticed by sin, To stay in death away from Him; I now resolve to do my best, And in the arms of Christ I’ll rest. [Refrain] Languages: English Tune Title: REDEMPTION GROUND

People

person icon
Authors, composers, editors, etc.

James McGranahan

1840 - 1907 Composer of "REDEMPTION GROUND" in The Cyber Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

W. D. Jeffcoat

1929 - 2014 Author of "How Sweet the Voice That Calls" in Sacred Songs of the Church William Dawson Jeffcoat born in Arkansas, died in Kentucky Dianne Shapiro, from Find a Grave website (accessed 6/20/2022)

Flavil Hall

1876 - 1952 Composer of "[How sweet the voice that calls you home]" in Precious Praises
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.