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Text Identifier:"^how_blest_are_they_who_trust_in_christ$"

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How Blest Are They Who Trust in Christ

Author: Fred Pratt Green Meter: 8.8.8.8 Appears in 14 hymnals Used With Tune: ROCKINGHAM

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TRURO

Meter: 8.8.8.8 Appears in 539 hymnals Tune Sources: Williams' Psalmodia Evangelica, Part II, 1789 Tune Key: C Major Incipit: 13455 67151 54321 Used With Text: How Blest Are They
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TALLIS' CANON

Meter: 8.8.8.8 Appears in 503 hymnals Composer and/or Arranger: Thomas Tallis Tune Key: F Major Incipit: 11711 22343 14433 Used With Text: How Blest Are They Who Trust in Christ
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WINCHESTER NEW

Meter: 8.8.8.8 Appears in 404 hymnals Tune Sources: Musicalisch Hand-Buch der Geistlichen Melodien, Hamburg, 1690, alt. Tune Key: B Flat Major Incipit: 51566 54334 32554 Used With Text: How Blest Are They

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How Blest Are They Who Trust in Christ

Author: Fred Pratt Green Hymnal: Chalice Hymnal #646 (1995) Meter: 8.8.8.8 Lyrics: 1 How blest are they who trust in Christ when we and those we love must part; we yield them up, for go they must, but do not lose them from our heart. 2 In ripened age, their harvest reaped, or gone from us in youth or prime, in Christ they have eternal life, released from all the bonds of time. 3 In Christ, who tasted death for us, we rise above our natural grief, and witness to a stricken world the strength and splendor of belief. Topics: Life of Discipleship Death and Eternal Life; God's Church Life of Discipleship: Death and Eternal Life; Death; Eternal Life; Faith; Funerals and Memorial Services; Grief; Trust Languages: English Tune Title: MARYTON
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How Blest Are They Who Trust in Christ

Author: Fred Pratt Green Hymnal: Rejoice in the Lord #591 (1985) Meter: 8.8.8.8 Lyrics: 1 How blest are they who trust in Christ when we and those we love must part; we yield them up, for go they must, but do not lose them from our heart. 2 In ripened age, their harvest reaped, or gone from us in youth or prime, in Christ they have eternal life, released from all the bonds of time. 3 In Christ, who tasted death for us, we rise above our natural grief, and witness to a stricken world the strength and splendor of belief. Topics: Funerals Scripture: Romans 8:38 Languages: English Tune Title: TALLIS' CANON

How blest are they who trust in Christ

Author: Fred Pratt Green, 1903- Hymnal: The Book of Praise #601 (1997) Topics: Canticles and Scripture Paraphrases; Eternal Life; Sacraments and Ordinances Funeral Scripture: John 3:13-16 Languages: English Tune Title: ROCKINGHAM

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Fred Pratt Green

1903 - 2000 Person Name: Fred Pratt Green, 1903-2000 Author of "How Blest Are They" in Worship and Rejoice The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

Thomas Tallis

1505 - 1585 Composer of "TALLIS' CANON" in Rejoice in the Lord Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

Edward Miller

1735 - 1807 Arranger of "ROCKINGHAM" in The United Methodist Hymnal Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry
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