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Anonymous

Composer of "ELLACOMBE" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Adapter and Harmonizer of "ELLACOMBE" in The United Methodist Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

A. H. Mann

1850 - 1929 Person Name: Dr. A. H. Mann Composer of "[Hosanna, loud Hosanna!]" in The New Children's Hymnal Arthur Henry ‘Daddy’ Mann MusB MusD United Kingdom 1850-1929. Born at Norwich, Norfolk, England, he graduated from New College, Oxford. He married Sarah Ransford, and they had five children: Sarah, Francis, Arthur, John, and Mary. Arthur died in infancy. Mann was a chorister and assistant organist at Norwich Cathedral, then, after short stints playing the organ at St Peter’s, Wolverhampton (1870-71); St. Michael’s Tettenhall Parish Church (1871-75); and Beverley Minster (1875-76); he became organist at King’s College Chapel, Cambridge (1876-1929), Cambridge University organist (1897-1929), and music master and organist at the Leys School, Cambridge (1894-1922). In addition to composing an oratorio and some hymn tunes, he was music editor of the Church of England Hymnal (1894). In 1918 he directed the music and first service of “Nine lessons & carols” at King’s College Chapel. He was an arranger, author, composer, and editor. His wife, Sarah, died in 1918. He died at Cambridge, England. John Perry

Charles H. Webb

b. 1933 Person Name: Charles H. Webb Composer (descant) of "ELLACOMBE" in The United Methodist Hymnal Music Supplement

Jennette Threlfall

1821 - 1880 Author of "Hosanna, Loud Hosanna" in Psalter Hymnal (Gray) Jeannette Threlfall’s (b. Blackburn, Lancashire, England, 1821; d. Westminster, London, 1880) life was extremely difficult: she was orphaned at an early age, and two serious accidents caused her to be an invalid for life. But she bore her misfortune with grace and fortitude and maintained a ministry to many people who came in contact with her. Threlfall wrote devotional verse, which was published anonymously in various periodicals and later collected in Woodsorrel, or Leaves from a Retired Home (1856) and Sunshine and Shadow (1873), which included "Hosanna, Loud Hosanna." Bert Polman ================ Threlfall, Jeannette. This sweet singer of hymns and other sacred poems, was born in the town of Blackburn, Lancashire, on 24th March, 1821. She was the daughter of Henry Threlfall, wine merchant, and Catherine Eccles, the latter a somewhat noticeable local family, who disapproved of the marriage. She was early left an orphan, and became the "beloved inmate" (as a memorial-card bears) of the households successively of her uncle and aunt Bannister and Mary Jane Eccles, at Park Place, Blackburn, and Golden Hill, Leyland; and later of their daughter, the late Sarah Alice Aston, and her husband, of Dean's Yard, Westminster. Latterly she met with a sad accident that lamed and mutilated her for life, and a second rendered her a helpless invalid. She bore her long slow sufferings brightly, and to the end retained a gentle, loving, sympathetic heart, and always a pleasant word and smile, forgetful of herself. Throughout she was a great reader, and at "idle moments" threw off with ease her sacred poems and hymns. These were sent anonymously to various periodicals. They were first collected and issued in a small volume, entitled Woodsorrel; or, Leaves from a Retired Home. By J. T., London: J. Nisbet, 1856. There are thirty-five poems in all. They do not appear to have won any notice except among friends. Years later she selected 15 pieces from Woodsorrel and added 55 others, and published them as Sunshine and Shadow. Poems by Jeannette Threlfall. With Introduction by the Lord Bishop of Lincoln [Wordsworth]. London: (Hunt), 1873. A 3rd edition (1880) is entitled New Edition. With In Memoriam from the Sermons of the Dean of Westminster and Canon Farrar. Bp. Wordsworth praises her poems, and observes:— "It is an occasion for great thankfulness to be able to point to poems, such as many of those in the present volume, in which considerable mental powers and graces of composition are blended with pure religious feeling, and hallowed by sound doctrine and fervent devotion." The sacred poems are not very well wrought, nor at all noticeable in thought or sentiment. But all through one feels that a sweet spirit utters itself. She died on 30th November, 1880, and was interred at Highgate Cemetery, 4th Dec, 1880. [Rev. A. B. Grosart, D.D., LL.D.] Of Miss Threlfall's hymns those in common use include:— 1. Hosanna! loud hosanna, The little children sang. Palm Sunday. 2. I think of Thee, O Saviour. Good Friday. 3. Lo, to us a child is born. Christmas. 4. Thou bidd'st us seek Thee early. Early Piety. 5. We praise Thee in the morning. Morning. 6. When from Egypt's house of bondage. Children as Pilgrims. These hymns are all taken from Miss Threlfall's Sunshine and Shadow, 1873. No. 2 was written during a dangerous illness, at her dictation, by a friend. No. 1 is the most widely used of her compositions. -- Excerpts from John Julian, Dictionary of Hymnology (1907) =============== Threlfall, Jennette, p. 1171, ii. Another piece, included in the Sunday School Hymnary, 1905, is "I'd choose to be a daisy" (Lambs of Jesus). In her Woodsorrel, 1857, p. 97, entitled "The Child's Choice." Her "I think of Thee, O Saviour," is also from the same work. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Gerardo C. C. Oberman

b. 1965 Person Name: Gerardo Oberman, b. 1965 Translator of "Hosanna, Loud Hosanna (Hosanna a ti, hosanna)" in Santo, Santo, Santo

Xavier Ludwig Hartig

Adapter of "ELLACOMBE" in Voices United

Jeff Redd

Author (st. 2) of "Hosanna, Loud Hosanna" in Hymns for the Family of God

William W. Gilchrist

1846 - 1916 Person Name: W. W. Gilchrist Composer of "[Hosanna, loud hosanna!]" in The New Hosanna Born: January 8, 1846, Jersey City, New Jersey. Died: December 20, 1916, Easton, Pennsylvania. Buried: Saint Thomas’ Episcopal Church, Fort Washington, Pennsylvania. Gilchrist’s family moved to Philadelphia, Pennsylvania, when William was nine years old. He attended school there until the outbreak of the American civil war, when his father’s business failed and William had to seek other work. Having a good voice, he sang in choirs and choruses, first as a soprano, and later a smooth, flexible baritone. He began singing some of the principal parts in the Handel and Haydn Society, where his first real musical life began. At age 19, Gilchrist began studying organ and voice with Professor H. A. Clarke, gradually concentrating on theory. At age 25, he spent a year in Cincinnati, Ohio, as organist and teacher, returning to Philadelphia to take post of choir master at St. Clement’s Protestant Episcopal Church. He later became conductor of the Mendelssohn Club, Tuesday Club of Wilmington, and Philadelphia Symphony Society. Gilchrist was best known as a composer. His first success was in 1878, winning two prizes from the Abt Society of Philadelphia for best choruses for male voices. In 1881, he won three similar prizes from the Mendelssohn Glee Club of New York. In 1884, he took a $1,000 prize from the Cincinnati Festival Association; the judges included Saint-Saëns, Reinecke, and Theodore Thomas. This work was an elaborate setting of the Forty-Sixth Psalm, and was enthusiastically received. Gilchrist afterwards modified it and brought it out at the Philadelphia Festival in 1885. Gilchrist also served as editor of the 1895 Presbyterian hymnal, as musical editor of The Magnificat in 1910, and wrote symphonies, chamber and choral music. His works include: An Easter Idyll Psalm 46 (New York: 1882) One Hundred and Third Psalm Ninetieth Psalm Fifth Psalm Prayer and Praise De Profundis The Rose (New York: 1887) Ode to the Sun A Christmas Idyll (Boston, Massachusetts: 1898) The Lamb of God (New York: 1909) www.hymntime.com/tch/