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Text Identifier:"^he_watching_over_israel_slumbers_not$"

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He, Watching Over Israel

Appears in 2 hymnals First Line: He watching over Israel, slumbers not, nor sleeps

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[He, watching over Israel, slumbers not, nor sleeps]

Appears in 2 hymnals Incipit: 55566 66531 721 Used With Text: He, Watching Over Israel

Instances

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He, Watching Over Israel

Hymnal: Rodeheaver Chorus Collection #68 (1917) First Line: He, watching over Israel, slumbers not, nor sleeps Languages: English Tune Title: [He, watching over Israel, slumbers not, nor sleeps]

He Watching Over Israel

Hymnal: Songs of Light #260 (1977) First Line: He watching over Israel, slumbers not, nor sleeps Topics: Comfort; Faith; Guidance Scripture: Psalm 121:4 Languages: English Tune Title: [He watching over Israel, slumbers not, nor sleeps]

People

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn, 1809-1847 Composer of "[He watching over Israel, slumbers not, nor sleeps]" in Songs of Light Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman
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