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Text Identifier:"^he_that_believes_and_is_baptized$"

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All Who Believe and Are Baptized

Author: George T. Rygh, 1860-1943; Thomas H. Kingo, 1634-1703 Meter: 8.7.8.7.8.8.7 Appears in 34 hymnals Lyrics: 1 All who believe and are baptized Shall see the Lord's salvation; Baptized into the death of Christ, They are a new creation; Through Christ's redemption they will stand Among the glorious heav'nly band Of ev'ry tribe and nation. 2 With one accord, O God, we pray, Grant us your Holy Spirit; Help us in our infirmity Through Jesus' blood and merit; Grant us to grow in grace each day By holy Baptism, that we may Eternal life inherit. Topics: Holy Baptism; Pentecost 21; Holy Baptism Used With Tune: ES IST DAS HEIL

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ES IST DAS HEIL

Meter: 8.7.8.7.8.8.7 Appears in 101 hymnals Composer and/or Arranger: Hans Leo Hassler Tune Key: D Major Incipit: 55557 65453 13456 Used With Text: All who believe and are baptized
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MIT FREUDEN ZART

Meter: 8.7.87.8.8.7 Appears in 162 hymnals Tune Sources: Bohemian Brethren's 'Kirchengeseng', Berlin, 1566 (original rhythm slightly adapted) Tune Key: D Major Incipit: 13451 76565 43234 Used With Text: They that believe and are baptized
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LOBT GOTT DEN HERREN

Meter: 8.7.8.7.8.8.7 Appears in 30 hymnals Composer and/or Arranger: Melchior Vulpius (1570?-1615) Tune Key: F Major Incipit: 55531 76555 36431 Used With Text: All Who Believe and Are Baptized

Instances

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He That Believes And Is Baptized

Author: T. Kingo Hymnal: Hymnal for Church and Home (2nd ed.) #151 (1928) Meter: 8.7.8.7.8.8.7 Lyrics: 1 All that believes and is baptized Shall see the Lord's salvation; Baptized into the death of Christ, They are a new creation. Through Christ's redemption he shall stand Among the glorious heavenly band Of every tribe and nation. 2 With one accord, O God, we pray: Grant us Thy Holy Spirit; Look Thou on our infirmity Through Jesus' blood and merit! Grant us to grow in grace each day By holy baptism that we may Eternal life inherit! Topics: Baptism Languages: English Tune Title: [He that believes and is baptized]
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He That Believes And Is Baptized

Author: T. Kingo Hymnal: Hymnal for Church and Home #151 (1927) Meter: 8.7.8.7.8.8.7 Lyrics: 1 All that believes and is baptiz'd Shall see the Lord's salvation; Baptiz'd into the death of Christ, He is a new creation; Thro' Christ's redemption he shall stand Among the glorious heav'nly band Of ev'ry tribe and nation. 2 With one accord, O God, we pray: Grant us Thy Holy Spirit; Look Thou on our infirmity Thro' Jesus' blood and merit! Grant us to grow in grace each day By holy baptism that we may Eternal life inherit! Topics: Baptism Languages: English Tune Title: [He that believes and is baptized]
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He that believes and is baptized

Author: T. Kingo Hymnal: The Lutheran Hymnary #141 (1913) Meter: 8.7.8.7.8.8.7 Lyrics: 1 He that believes and is baptized Shall see the Lord's salvation; Baptized into the death of Christ, He is a new creation; Through Christ's redemption he shall stand Among the glorious heavenly band Of every tribe and nation. 2 With one accord, O God, we pray: Grant us Thy Holy Spirit; Look Thou on our infirmity Through Jesus' blood and merit! Grant us to grow in grace each day By holy baptism that we may Eternal life inherit! Topics: The Means of Grace Baptism; The Means of Grace Baptism Tune Title: [He that believes and is baptized]

People

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Authors, composers, editors, etc.

Hans Leo Hassler

1564 - 1612 Composer of "ES IST DAS HEIL" in The Hymnal 1982 Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany. John Perry

Anonymous

Composer of "ST. PAUL" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Johann Crüger

1598 - 1662 Composer of "O JESU CHRIST, DU HÖCHSTES GUT" in The Hymnal and Order of Service Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accom­paniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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